The soft and refreshing chiffon has always been spoiled by the spring and summer season. It is free and romantic, full of romance, and dense and misty poetry. It can neutralize the handsome of trousers, add a bit of luxuriant to skirt outfit again, the round collar design of the plain is not too grandilocible and unearth spirit, with life more close.

01 easy A word pendulum natural age reduction, want to wear A slender waist, can be like A model, in the high-waisted position of the root belt, the sense of maturity will follow. Ralph's circle collar is elegant and retro, which sets off the noble and elegant romantic temperament.

The back of the shirt is a streamlined accordion pleated design, which not only increases the romantic index of chiffon, but also has a deeper and deeper power. The round collar is a pure hand - knitted beads, elegant and elegant, giving off a gorgeous sheen.

Although it is all black chiffon, but a bit is not boring, the long sleeve of light skin color has three-dimensional wave dot ornament, light and lively. The horn sleeve is echoed with the hem of the lotus leaf, creating a graceful figure curve.

The fun printing will take the romantic chiffon a second back to the childlike age, the seven-point length of the lantern sleeve is decorated with the strong arm, while adding a cute and lovely smell. The back of the round collar is designed to make it sweet and sexy.

The 05 - round neck jacket is made of cotton and chiffon sleeves. The body part is elastic and malleable, often washing is not easy to deform, and absorb sweat and breathable, not easy to play ball. Chiffon sleeve adds a sense of refreshing and refreshing.

Jun green chiffon shirt looks more cool and handsome, relatively can let skin color appear white. The lotus leaf spreads from the chest to the sleeve, neutralizing the military green is too resolute, and can make the small breasts look fuller.

The wood ear side grows on the round neck and the chest side, there is a faint old European aristocracy's breath, tie-in chiffon the small amplitude of the lantern sleeve design, the ancient court sense is more obvious. Light powder is soft and tender skin tone, collocation is basically not difficult.

The sleeves of the chiffon shirt is the bright spot, the black and white color is only the beginning of the eye, the cut of the lantern sleeve with the smooth three-dimensional curve, let the slender arms are concealed, the whole line is lively and lively.Read more at:(cliquez ici pour suivre le lien) | (cliquez ici pour suivre le lien)

I am a Saudi-Argentine fashion designer who was born in San Francisco, California.

Growing up, I studied in the US, Saudi Arabia and Argentina, before returning to California to obtain my undergraduate degree in psychology.

I feel very fortunate to come from such a diverse heritage.

I began traveling at an early age, which is probably why I love exploring, learning and being constantly on the move.

Through my travels, I learned that each country is culturally unique. Its people, their traditions, food and the arts constantly impact my growth and development.

Who am I?

I am a product of all the international experiences and exposure I have gained through the years.

With every country I visited, I realized what a powerful and humbling experience each was, and how they helped mold and develop me as a person.

The more I traveled, the more I wanted to give back. It was no longer enough for me to simply explore different cultures.

I wanted to understand them and contribute what I could back to society as a favor returned.

It was with this in mind that my fashion line Badawiah was born.Read more at:(cliquez ici pour suivre le lien) | (cliquez ici pour suivre le lien)

The bridesmaid group is an important role to protect the bride. Usually, the bride will invite the unmarried friends and relatives around them to make up. Some are one or two, and some also invite a dozen friends to form a bridesmaid. They generally dress alike and dress similarly to the bride. They are responsible for protecting the bride on the whole wedding and serving the bride to ensure the smooth progress of the whole wedding.
1. dress
The members of the bridesmaids generally take a uniform dress, both to highlight the wedding atmosphere and to foil the bride. Of course, it must be convenient to act, not to distract the dress. After all, the most important job is to take care of the bride.
Also, it should be noted that the dress adornment of the bridesmaids and the best man group should be consistent with the main colors of the wedding.
Dress style
(1) the design of the bridesmaid group dress is simpler than that of the bride. The dress style is between the evening dress and the leisure dress. Do not choose long mop. This is too grand and can be focused on the small dress.
(2) dress should be low-key and dignified, not too revealing. Otherwise, it will grab the bride's limelight and upset the elders.
(3) in order to avoid clothing being too orthodox or too casual, fashion elements can be added to the details. If it is to wear a suit with a fashionable lace and lace, the coat is equipped with an alternative small sling, with a bright color, a bead piece, a five colored splice and a sexy bra.
(4) the skirt of the bridesmaid group should not be too short, so as to avoid outdoors activities and not match the occasion.
2. conditions
(1) the member of the bridesmaid group must be a woman and physically check the customs.
(2) the member of the bridesmaid group must be an unmarried woman and, if necessary, produce an unmarried certificate.
(3), the bridesmaid members must be more ordinary than the bride, of course, if the appearance and the bride can be similar, because the bride will certainly become the focus after make-up, but avoid Bridesmaid brides.
(4) the members of the bridesmaids must be honest and honest women. Because the wedding day will be very messy, the bride is a little hard to collect red packets, in general, the bridesmaid must take a bag, in addition to put in time to put some of the equipment to make up a large part of the place to place red packets, do not want to lose the situation of red packets.
(5), the members of the bridesmaids must be a delicate and flexible woman, because there may be something unexpected at the wedding, and the bride is often bliss, and has been undecided. So the bridesmaid must always pay attention to the situation and make the right advice and advice in time. .
(6), the members of the bridesmaid must have some wine, and when necessary, they can block the bride, because the main character of the day must be the bride, and the bride can't do anything. The green leaves must be in place.
(7) the number of bridesmaids is determined by the size of the wedding ceremony. The two wedding ceremony is enough. If you ask many bridesmaids, you must combine them into double numbers. They should be good to be double, and avoid the odd number after "one". It will be unlucky.Read more at:one shoulder bridesmaid dresses uk
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A clever bridesmaid dress can not only enhance the bride's aura, but also create a wedding atmosphere. So let's see what the rules are for bridesmaid dresses!
1. The color of bridesmaid dresses.
The bride's dress is pure white at the wedding, and the bridesmaid dresses should be in a soft color. The bridesmaids can also choose a light, light-colored dress, but the bright colors are suspect. Light colors: pink green, champagne, pink and blue, not only for bridesmaids, but also for the bride's perfect skin.
2. Style of bridesmaid dresses.
The dress is to wear the chest type, need to match on the waist a chic ribbon, contracted design can let the bridesmaid appear beautiful, generous. If it is winter, the bridesmaid is not responsible for many tasks, but can choose a long strapless gown, and also cater to the solemn atmosphere of the wedding. However, the bridesmaid dresses can't be decorated and embellished too much, and the whole line can be used to save the good figure curves of the bridesmaids.
3. Bridesmaid dress fabric.
Dress besides color, tailoring and fabric details is also the focus of the modelling, elegant and gorgeous chiffon, romantic classical lace, elegant richly velvet cloth, or vertical compose feels dye-in-the-wood, luster of silk material, elegant and fit clipping, can foil a bridesmaid its charm, gentle and graceful light of confident.
4. Features of bridesmaid dresses.
Bridesmaid dresses are usually short and simple. The length of the dress short dress around the knee is the most appropriate, then can guarantee the bridesmaid action is convenient, don't affect the work of the maid of honor, and secondly is showing the bridesmaid young, lively, and the difference between the bride's noble elegant. In addition, the bridesmaid should not be too revealing, should try to be low-key and modest.
5. Bridesmaid's indoor dress.
Bridesmaid wedding should be like the bride's wedding dress style is ok, if the wedding day the bride to wear a long trailing formal dress, bridesmaid can wear a long vertical floor style of dress, and tie-in appropriate gloves and tire. If the bride wears a simple wedding dress, the dress design of the bridesmaid should not be complicated, the color should be unified.
6. Bridesmaid outdoor dress.
Outdoor dress pay attention to the color of the clothes and the bride dressed in coordination, such as outdoor is to build the atmosphere that gives some romantic wedding, bridesmaid can choose short dress, slightly over his knees. At the same time, the bridesmaid dresses are mainly knee-high, with light green, lavender... Light colors dominate.Read more at:

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The bridesmaid is the second most important role in the wedding, and the dress and makeup is also highly demanding, which needs to be well matched with the new bride and the wedding style. So what colors do the bridesmaids wear? Let's see.
The perfect wedding is not only the bride and groom, but also the bridesmaid and the best man. The dress of the bridesmaid is also very important. Now let's see what color the bridesmaids are wearing, and what are the techniques for selecting bridesmaids' shoes.
What colors of shoes do the bridesmaids wear?
1. As the bridesmaid in the wedding, their dresses will usually be more elegant, so the bridesmaid can choose purple, blue and other cool colors to match the dress.
2, if the bridesmaid dress is pink, coral, and cream warm color to move, the bridesmaid high-heeled shoes, the right to wear what color of suggestion the maid of honor with gold, copper, or pale green high heels to match the dress.
3, the maid of honor, high heels, right to wear what color if the bridesmaid can really can't find and dress collocation, the small make up recommend a bridesmaid can consider with metallic luster shoes, the color is not only bright spot, and also very joker.Read more at:KissyProm white prom dresses| vintage prom dresses uk

For evening dress and hairstyle collocation, oneself advocate elegance, restoring ancient ways. Only the simplest things can best foil the classical beauty of Oriental women.
1. Simple notoginseng points, the hair into the top of the head more walking arm in arm, up to the rear of the ears, with a hairpin shape, this hairstyle for big waves MM oh ~ do fast and convenient
The big, wavy hair of 37 points will make you look like a charming mermaid at the dinner party, but the hair must be done with wax.
3. This hairstyle is suitable for the MM, straight hair hexagon points, in addition to natural hung in front of the few repeatedly, other all lived with string, and then the hair end plug into the hair, the lower part make a bit bigger, fluffy, languid is lazy and charming oh ~
4. Short hair can also be in the dinner party brilliant oh ~ put the hair on both sides of the irregular notoginseng points, then use a curling iron to the hair end on the left to the right cheek curl it slightly, to the right of the hair end is slightly outward, suddenly the whole hair style is dynamic.
5. Go to introduce a Korean elegance, comb all the hair in the future, first into a to the neck position braid, then put the braid into three strands, staggered winding up, the last in a shiny bun upper clip hairpin with drill, hairpin is bright spot oh ~Read more at:unique prom dresses| short prom dresses 2018

The girls want to dazzle at the ball, they have to wear a beautiful evening dress.
Fold the paper on the square, fold it up and down, and unfold it, then a "ten" creases appear.
1. Fold the left and right sides along the middle line, then fold it in half, and then open it with eight rectangles with the same width.
2. Fold to the left of the third crease on the right, fold the second crease to the right, and the left side folds.
3. Turn it over, and fold the bottom end by drawing and press it flat;
4. Fold the left and right sides along the first crease to the middle line;
5. Take the middle horizontal line as the shaft, and press the two sides as the figure and press;
6. Fold it back from the middle, press the trace, and then fold it from a slightly higher position.
7. Make a slight adjustment in the later folding part, and then draw some patterns on the evening dress for a better look. Do you understand? Just do it! Read more at:(cliquez ici pour suivre le lien)|  (cliquez ici pour suivre le lien)

The girls want to dazzle at the ball, they have to wear a beautiful evening dress.
Fold the paper on the square, fold it up and down, and unfold it, then a "ten" creases appear.
1. Fold the left and right sides along the middle line, then fold it in half, and then open it with eight rectangles with the same width.
2. Fold to the left of the third crease on the right, fold the second crease to the right, and the left side folds.
3. Turn it over, and fold the bottom end by drawing and press it flat;
4. Fold the left and right sides along the first crease to the middle line;
5. Take the middle horizontal line as the shaft, and press the two sides as the figure and press;
6. Fold it back from the middle, press the trace, and then fold it from a slightly higher position.
7. Make a slight adjustment in the later folding part, and then draw some patterns on the evening dress for a better look. Do you understand? Just do it! Read more at:

The bridesmaid dress is the dress worn by the bridesmaids at the wedding. The so-called bridesmaids are the girls who accompany the bride to complete the wedding ceremony. Usually, the unmarried women who are close to the bride should bear the responsibility for their clothes. The dress should be matched with the bridal costume.
Usually the bridesmaid dresses are elegant, simple and natural, not too flashy, otherwise there will be the effect of the hubbub, and the overall feeling should not cover the beauty of the bride's dress. The color should not be thick and colourful, with simple elegance as appropriate.
Chinese name: bridesmaid dresses.
Match: wedding
Suitable crowd: bridesmaid.
Special point: concise and generous, light tone.
The bridesmaid dress is the dress worn by the bridesmaids at the wedding.
The so-called bridesmaids are the girls who accompany the bride to complete the wedding ceremony. Usually, the unmarried women who are close to the bride should bear the responsibility for their clothes. The dress should be matched with the bridal costume.
But the bridesmaid dresses can't be too flashy, otherwise there will be a distracting effect. Many with concise and generous, light color appears.Read more at:
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If there’s time before or after the Perry Ellis presentation at 9 a.m., grab coffee atBluestone Lane, which is right outside of the Grace Building. The Australian coffee shop is known for its flat whites and macchiatos, but it also serves healthy breakfast options, including hot coconut quinoa porridge and chia-seed breakfast cups.

This story first appeared in the July 11, 2016 issue of WWD. Subscribe Today.

1114 Avenue of the Americas, New York, NY, 10036, 212-764-0044

After Linder’s 1 p.m. presentation, head toDeepcover, a new men’s store that specializes in vintage sportswear from brands such as Ralph Lauren, Nautica and Tommy Hilfiger, along with athletic jerseys and old concert and pro-wrestling T-shirts. The store opens at 1 p.m. on Mondays.

162 Allen Street, New York, NY, 10002, 646-666-0568

Day 2: Tuesday, July 12

If there’s time before or after Michael Kors, whose presentation runs from 11 a.m. to 2:30 p.m., try to get a workout in at The Dogpound, a buzzy gym that opened this year with a client list that includes Victoria’s Secret model Jasmine Tookes, actor Hugh Grant and president of the New York Stock Exchange Tom Farley. The matte-black gym, which was designed by Fabien Baron, has gained a following because of its familial environment and high-intensity workouts.

1 Renwick Street, New York, NY 10013, 646-620-6533

Or if eating is the priority, go to Gotan, a neighborhood café that serves a nice selection of Instagram-friendly dishes — think artfully created bowls of oatmeal decorated with berries, coconut flakes and flax seeds, or avocado toast sprinkled with feta and red-pepper flakes. Then there’s the coffee, which is made by well-trained baristas who are masters at latte art.

130 Franklin Street, New York, NY 10013, 212-431-5200

Before N.Hoolywood at 5 p.m., stop by Underwest, an almost hidden doughnut shop inside a car wash along the West Side Highway that makes artisanal cake doughnuts in exotic flavors ranging from jasmine green tea to blueberry thyme. The shop closes at 5 p.m. on Tuesdays.

638 West 47th Street, New York, NY 10036, 212-317-2359

Or pop into the Gagosian Gallery, which is showing a new large-scale steel sculpture installation by Richard Serra.

555 West 24th Street, New York, NY 10011, 212-741-1111

Day 3: Wednesday, July 13

Since Coach is showing its men’s collection in its new offices at 10 Hudson Yards, which is connected to the High Line, consider having breakfast at The Wild Son, a newly opened restaurant from the team behind the Wayland and Good Night Sonny. The dishes, which err on the side of healthy, range from grain and egg bowls to tartines and sandwiches. There’s also a selection of freshly made juices.

53 Little West 12 Street, New York, NY 10014, 212-727-7900

Most of the shows on Wednesday will be at Skylight Clarkson Square, which is only a mile away from the Whitney Museum. There won’t be time to peruse every floor, but one could head straight to the fifth, for Danny Lyon’s new exhibit. This is the American photographer’s first career retrospective in 25 years. Or stop by the Studio Café on the eighth floor, which features outdoor seating and views of the Meatpacking District, Hudson River and the High Line.

99 Gansevoort Street, New York, NY 10014, 212-570-3600

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Before or after the Tommy Hilfiger presentation from 5 p.m. to 7 p.m., head to A Shine & Co., a recently opened San Francisco-based shoe-shine shop that’s located in Chelsea Market, right next to the Decatur & Sons barbershop.

75 Ninth Avenue, New York, NY 10011 917-676-7394

Day 4: Thursday, July 14

After Eidos at 9 a.m., check out the new International Center of Photography Museum on the Bowery. An exhibit called “Public, Private, Secret” is currently on view — it highlights work from artists and photographers such as Andy Warhol, Cindy Sherman and Ron Galella — and the Little Italy-based Maman café, which was cofounded by Michelin-rated chef Armand Arnal, has opened an outpost within the space.

250 Bowery, New York, NY 10012, 212-857-0003

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Between the shows and presentations at Skylight Clarkson Square, consider having a meal at Houseman, which opened late last year and recently started serving lunch between 11:30 a.m. and 2:30 p.m. Founded by Adam Baumgart and Ned Baldwin, who started the restaurant as a pop-up on the North Fork of Long Island, N.Y., before opening this permanent location, the restaurant focuses on elevating simple dishes and has been lauded for its burger and roasted chicken.

Hasan Minhaj is a comedian, actor, writer, performer and all-around news junkie. He’s now using his politically-infused wit to entertain on The Daily Show as the Senior Correspondent. I caught up with Hasan about comedy, news, working for a different boss, and more.Before you were “Hasan Minhaj, Comedian,” who were you, back in Davis, California?I was actually a really, sort of nervous shy kid. In high school, it was one of those things where I wasn’t popular or a loser, I just don’t think many people really knew who I was.How did you get your comedy start? Was there any point where you thought, okay, this is what I want to do when I’m older? Or did it occur more organically?Well, really, I did speech and debate in high school, and then when I was a Freshman in college I had never seen stand-up before and I saw Chris Rock’sNever Scared at a friend’s apartment and I thought, wow this is funny speech and debate — I should give this a try and see what happens.Who are some comedians who inspired you?Chris Rock, probably of all-time. Bill Burr, Louis [CK], and Jon Stewart.Who is the one comedian to keep an eye on right now?I would say, hmm, I can’t give you one, but I’d say a bunch of people are doing really really interesting things. John Mulaney, Ron Funches, Vicky Manwar.You joined The Daily Show as a correspondent back in 2014, do you have a favorite moment since your debut?The Jon Stewart finale was unreal, and my Justin Trudeau interview.What happens behind the scenes? I imagine there’s a lot of laughing going on when the cameras are off. Is it in any way like your ‘typical’ office job?Yeah, it’s really great. We’re all friends, we hang out, and what’s awesome is that from the top-down there’s sort of this “no asshole” attitude. Everybody is really great and contributing, and it’s a really safe place to talk about ideas and what’s happening in the world. I’m very lucky to have this job.The show is revolutionary in the way it combines journalism with hilarity, we see a similar approach with other shows such as SNL. Why is humor so effective when discussing more serious topics?

As satirists we get to stand on the sidelines of life and comment on what’s happening. And because we’re not telling any political, corporate, or religious lines, we’re able to honestly say things how they really are.He’s as amazing as advertised. Honest, thoughtful, sincere. And a comedy Jedi.Any distinct differences between Jon and Trevor Noah?The biggest difference between Jon and Trevor: Jon is like the Jewish Yoda and Trevor is like a comedy contemporary, where we are collaborating and going back and forth and creating, and building a new thing together.Where do you go to get your news? Do you believe that mainstream news sources are trustworthy?

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Now that I’m on the show we get our news from so many difference places. But look, I think there’s a lot of people doing really really amazing, interesting things. I think The Atlantic does great work, especially Ta-Nehis’s articles. Vox, they’re doing interesting, sort of field and digital pieces, which I think are really great. So there are people out there fighting the good fight.I’ve heard a lot of people say that they turn to comedy shows such as The Daily Show as their main source of news. Your thoughts on that?I think that’s awesome. I just hope that people get a variety of news sources to keep themselves informed.Not surprisingly, your one man show, “Homecoming King,” has left an impact on a lot of people. NPR called you an “absorbing storyteller.” How did the show start?The “Homecoming King” show started off as a storytelling show that I had done, I worked with Greg Walloch to develop it and build it into something bigger.You talk about living the American Dream. Do you think, or worry, that for many the opportunity to climb the socioeconomic ladder is getting more difficult?I think that we live in a time where, for certain marginalized groups, life itself is already really hard. With taxes and relationships and work and life and death and disease, and horrible things that happen in life, race is just one of those things that is just an added nuisance on top of the difficulties of everyday life in existence.I would hope that things are getting better, I’m an angry optimist in the sense that I think that there’s a lot more room to grow, but we live in an amazing time and a lot of good is happening in the world. We have a long way to go, but the needle is moving forward.I love how you have a spot on the “Homecoming King” website specifically devoted to giving others a voice — encouraging them to send in similar stories. What kind of response have you received?I’ve received some of the most amazing, heartfelt responses. And to me the reason why I asked people to share their stories is because if it’s just a show about me, that’s not interesting to me. But if other people can share their stories, that’s what art is really about — our collective and shared experiences.Let’s talk about being in the public eye in today’s world. Is it tough doing comedy in the age of social media? Has social media helped you?It’s a double-edged sword. It’s really helped me. It’s really helped me get in touch with people. You know, it’s how you and I actually got in touch. It’s also one of those things where everybody has a voice, and it can be used negatively, and that’s a problem, too.What’s your biggest piece of advice to comedians out there trying to break into the industry?

My biggest piece of advice is the same piece of advice that I heard from Conan O’Brien. Not to me personally, but I’ve heard him give this advice to other people: One, move to the city where they’re doing what you want to do. Two, immerse yourself in a community that is doing said activity and rise within that community, and three, just be nice.

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　　Made in Monção e Melgaço, the appellation’s northernmost subregion, this white Vinho Verde is all alvarinho, the acacia-scented grape traditional to this area that makes some of the region’s most complex and longest-lasting wines. Anselmo Mendes is one of Monção’s top producers, mixing his legacy as the son of a local grower with a flair for experimentation. For this bottle, he turned to a red winemaking process, leaving the grape skins in the must briefly after crushing, for a touch of tannin, structure, and intense floral notes. The skin contact makes this wine age-worthy, too. With a creamy texture, and complex aromas that run from lemon juice and pith to subtly fruity citron, with tart unripe peach, bay leaves, and hay mixed in, the wine also channels a sweeping saltiness and minerality. This golden-hued Vinho Verde is built to last for up to a decade. Pair with briny shellfish, lobster, and scallops.

　　bout the verde, or green, in Vinho Verde: this wine-making region in the north of Portugal boasts a particularly verdant landscape in an otherwise mostly arid nation; wine here was once made from underripe grapes; many Vinhos Verdes are the color of barely ripe lemons. Mostly, though, that verde is a tipoff that these wines are the opposite of aged. In white, rosé, or red, Vinho Verde is Portugal’s great picnic wine, made for drinking young. But lately the region has been taking itself more seriously, producing wines with greater complexity and, in some cases, even age-worthiness, while remaining true to the area’s youthful, elegant style perfect for warmer weather.

　　Vino Verde DOP vs. Minho IGP

　　The Vinho Verde DOP wine zone is geographically identical to the Minho IGP wine area. Same place, potentially different wine. While a Vinho Verde designation is meant to protect quality and tradition—with laws that dictate specifications like how many grapes a vineyard can yield, what kinds of grapes can be used, and how high alcohol levels can go in a finished wine—a Minho IGP label indicates a wine made from grapes in the same region that doesn't adhere to theVinho Verde DOP's strict regulations.Founded by Celtic settlers more than 2,000 years ago, this northwestern corner of Portugal has viticultural roots that stretch back to ancient Rome. Vinho Verde became a demarcated zone in 1908, making it what is now called aDenominação de Origem Protegida, or DOP wine, its geographical boundaries identical to the Minho region, its grape-growing and wine-production methods restricted in order to ensure a recognizable Vinho Verde style. Often thought of in terms of fresh, grassy white wines, Vinho Verde is, in fact, home to rosados (rosé) and reds as well, all of which have a basic brightness and easy drinkability. Within those parameters, there is much room to play. And the region’s diversity—a medley of grape varieties, vineyard soils that range from mostly granite to bands of schist, and a climate that runs from wet and cool by the bordering Atlantic to warmer, drier inland areas cooled by river-guided ocean breezes—is increasingly reflected in what is being made there these days. Once marketed as under-$10 bottles in one simple white style, Vinhos Verdes now extend from exquisitely blended wines to single-varietal finds, from bone-dry to bottles with varying touches of sweetness. Many, but not all, gently sparkle. Flavors are variations upon color-based themes—citrus-y whites, strawberry-noted rosados, intensely berried reds—all fresh and young and excellent with food.

　　Portugal is famed for its hundreds of indigenous grapes, most rarely, if ever, planted in other parts of the world. And the Minho region is no exception. It is one of the world’s oldest continuous wine regions, with ties to the British market first recorded in the 12th century, with wines that would be recognizable as Vinho Verde making extensive appearances on the British market during the 19th century. Until the 1980s, Vinho Verde wines tended to be red—made from grapes like azal, vinhão, and espadeiro—yielding tart, dry, rustic, and slightly sparkling juice. Then, the region’s whites, often made in a low-alcohol, high-acidity style braced by gentle fizz and sweetness, took over.

　　bout the verde, or green, in Vinho Verde: this wine-making region in the north of Portugal boasts a particularly verdant landscape in an otherwise mostly arid nation; wine here was once made from underripe grapes; many Vinhos Verdes are the color of barely ripe lemons. Mostly, though, that verde is a tipoff that these wines are the opposite of aged. In white, rosé, or red, Vinho Verde is Portugal’s great picnic wine, made for drinking young. But lately the region has been taking itself more seriously, producing wines with greater complexity and, in some cases, even age-worthiness, while remaining true to the area’s youthful, elegant style perfect for warmer weather.

　　Vino Verde DOP vs. Minho IGP

　　The Vinho Verde DOP wine zone is geographically identical to the Minho IGP wine area. Same place, potentially different wine. While a Vinho Verde designation is meant to protect quality and tradition—with laws that dictate specifications like how many grapes a vineyard can yield, what kinds of grapes can be used, and how high alcohol levels can go in a finished wine—a Minho IGP label indicates a wine made from grapes in the same region that doesn't adhere to theVinho Verde DOP's strict regulations.Founded by Celtic settlers more than 2,000 years ago, this northwestern corner of Portugal has viticultural roots that stretch back to ancient Rome. Vinho Verde became a demarcated zone in 1908, making it what is now called aDenominação de Origem Protegida, or DOP wine, its geographical boundaries identical to the Minho region, its grape-growing and wine-production methods restricted in order to ensure a recognizable Vinho Verde style. Often thought of in terms of fresh, grassy white wines, Vinho Verde is, in fact, home to rosados (rosé) and reds as well, all of which have a basic brightness and easy drinkability. Within those parameters, there is much room to play. And the region’s diversity—a medley of grape varieties, vineyard soils that range from mostly granite to bands of schist, and a climate that runs from wet and cool by the bordering Atlantic to warmer, drier inland areas cooled by river-guided ocean breezes—is increasingly reflected in what is being made there these days. Once marketed as under-$10 bottles in one simple white style, Vinhos Verdes now extend from exquisitely blended wines to single-varietal finds, from bone-dry to bottles with varying touches of sweetness. Many, but not all, gently sparkle. Flavors are variations upon color-based themes—citrus-y whites, strawberry-noted rosados, intensely berried reds—all fresh and young and excellent with food.

　　Portugal is famed for its hundreds of indigenous grapes, most rarely, if ever, planted in other parts of the world. And the Minho region is no exception. It is one of the world’s oldest continuous wine regions, with ties to the British market first recorded in the 12th century, with wines that would be recognizable as Vinho Verde making extensive appearances on the British market during the 19th century. Until the 1980s, Vinho Verde wines tended to be red—made from grapes like azal, vinhão, and espadeiro—yielding tart, dry, rustic, and slightly sparkling juice. Then, the region’s whites, often made in a low-alcohol, high-acidity style braced by gentle fizz and sweetness, took over.

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　　Among the many native grape varieties in the Vinho Verde zone, there are 15 that producers generally turn to for making the highest quality wines. Most are grown in the backyard-size vineyards—about 29,000 of them—that make up the viticultural area’s more than 51,000 acres of vines. Much of the cultivable land in Minho was once wrapped in grapevines trained to climb stakes, telephone poles, or walls—away from earth made cool and damp by the rain and winds blowing off the Atlantic Ocean, to escape the threat of grey rot.

　　Basic Vinho Verde wine is crafted throughout Minho and must clock in between 8 and 11.5 percent alcohol, but there are nine Vinho Verde subregions carved out from that land that offer more terroir-specific characteristics, including permission to tout up to 14 percent alcohol. Starting in the north, at the Minho River that separates Portugal from Spain, Monção e Melgaço is known for alvarinho wines with higher alcohol, quality, and price. Southward, along the Lima River, lemony floral blends of loureiro, trajadura, and arinto grapes take over in the Lima, Cávado, and Ave subregions. Avesso grape–based whites crop up in Amarante and Balão, in both crisp and, further inland, fuller-bodied styles. Meanwhile, fruity, rustic rosados and reds from red grapes like vinhão, borraçal, and alvarelhão are found in more southern subregions like Paiva.Many of these wines are blends, but there are single-varietal exceptions, most famously alvarinho—which is labeled Vinho Verde DOP only when grown and vinified in Monção e Melgaço, where the grape originated. But the loureiro, avesso, and arinto grapes are also capable of becoming quality varietal white wines, while the vinhão grape can produce intriguing reds. Wines that are made here without adhering to Vinho Verde regulation are labeled Minho IGP (Indicação Geográfica Protegida), an appellation that acts as a catchall for misbehaving bottles, some of which can offer fantastic value.

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　　Below, five picks for getting a serious, yet budget-friendly taste of Vinho Verde, thirst-quenching wines for a more luxurious picnic.

After 120,000 miles divided among a 2012 BMW 328i sedan, a 2014 BMW 328d xDrive wagon, and a 2015 BMW M3, we’re ready for a respite from the sixth-generation 3-series. Each one of those recent long-termers left us cold: too disconnected, too expensive, or too flinty, but most of all, just short of totally satisfying. BMW’s quest to adapt the 3-series for mass-market appeal has watered down our decades-long love for the car that once combined control, practicality, and fun like no other.Instead of hunting for the ghosts of BMW past with yet another long-term 3-series, we’ve redirected our focus toward a 2016 BMW 740i. We’ll spend 40,000 miles determining if BMW’s apparent new priorities—luxury and comfort before sport—have been perfected in the company’s flagship.

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The 7-series is less about driving and more about riding, and these days, that means a car packed with electronics. The sixth-generation 7-series takes the first baby steps toward automated highway driving with optional adaptive cruise control and brief stints of self-steering lane keeping. We assume that BMW designers also are fans of Minority Report, because the latest iteration of iDrive allows passengers to wave a hand or twirl a finger in front of the 10.2-inch touchscreen to accept an incoming call or to adjust the audio volume. Yes, the gesture controls are every bit as gimmicky and imperfect as they sound. Looking beyond the silicon and semiconductors, this new G11 chassis blends high-strength steel, cast and extruded aluminum, carbon fiber, and magnesium for a lighter unitized structure.Expensive, But Not That Expensive We’ve been conditioned to think of the 7-series as a six-figure car, so we impressed ourselves when we ordered our long-termer with a $96,095 price tag. It helped to start with the least expensive 7-series, an $82,295 rear-wheel-drive, six-cylinder 740i, because from there we positively splurged on indulgences. The $3900 Luxury Seating package with Cold Weather brings heated, ventilated, and massaging power rear seats; a heated steering wheel; heated front and rear armrests; and a 7.0-inch Samsung tablet in the rear console that allows control of just about everything in the car except for the steering wheel and pedals. The $4100 Executive package adds power side-window shades, ventilated 20-way adjustable front seats, a head-up display, and ceramic trim for the shifter, the iDrive controller, and the radio.

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　　We went for the $1900 Driver Assistance Plus package, which includes front-collision mitigation, lane-departure warning, speed-limit display, automatic parking, and blind-spot detection but is most notable for the included surround-view camera system with a 3D view. BMW uses four cameras to stitch together an image that looks as if your personal cinematographer is filming the car from 10 feet away, and you can pinch the air and wiggle your wrist to rotate around the car for different angles. The jury is still out on whether this is more useful than the bird’s-eye or traditional vantages (these are also selectable views in the 7-series), but this bit of tech feels less like a gimmick and more like something truly innovative. Notably, we skipped the Driver Assistance Plus II package that adds adaptive cruise control and active lane-keeping for $1700. We don’t expect to miss either feature much. Our drivers typically prefer traditional cruise control, and, based on experience, we know that the BMW’s steering assistant is merely a lane-keeping aid rather than a stand-in for two human hands.Sundries include $2600 for 20-inch wheels and $900 for a larger panoramic glass roof with LED accent lighting. We also spent $250 for what we’ve taken to calling a “key foblet.” It features a tiny touchscreen that allows you to precondition the cabin and to check the status of the door locks or the windows. It was probably money we shouldn’t have spent. There’s a phone app that accomplishes the same thing, and the key is merely one more electronic gizmo to keep charged. Finally, we dropped $150 for a space-saver spare, which adds some additional security against being stranded, over and above the standard run-flat tires, but comes with the penalty of raising the trunk floor by about six inches.Driving the Thing We weren’t expecting sports-car moves, so we were surprised when the 320-hp six-cylinder made such light work of the burden it carries. At the track, the 4385-pound 740i reached 60 mph in only 4.8 seconds, and a panic stop from 70 mph required just 159 feet of roadway. The skidpad figure of 0.86 g qualifies as respectable, although not exactly impressive.

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　　Several logbook commenters have noted how soft the ride is, particularly in the car’s Comfort Plus mode. One staffer even compared the 740i to a Kia K900, a recent and unloved long-termer in our fleet. Bizarrely, that plush suspension tune doesn’t mean the ride is entirely comfortable. Our 7-series seems to be affected by a paradoxical chassis tuning in which the suspension doesn’t provide enough body control, but the wheel impacts are too harsh. Over sharp lateral features such as expansion joints, the 740i pounds and smacks the pavement. The run-flat tires likely don’t help, but we’ve never had this problem with a Mercedes-Benz S-class on run-flat rubber.Despite the persistent drumbeat of complaints about the stiff tires, the 740i is still a wonderful way to cover big mileage. Assistant buyer’s guide editor Annie White logged almost 2000 miles driving from Ann Arbor to Indiana, Virginia, North Carolina, Washington, D.C., and back to Michigan. “By far the most comfortable car I have ever road-tripped in,” she wrote. “I had no back pain at all—which is not normal for me—thanks to the truly excellent seats with seemingly endless adjustability.” The small-displacement engine also is delivering on its end of the bargain: In addition to the impressive track-test performance, we’re averaging 26 mpg through the first two months.

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MILAN — The kooky utterances fashion designers sometimes spout (and some fashion journalists often parrot) seldom offer much indicator of what’s actually going on in the collections.Both in his elaborate show notes and backstage before a beautiful final stand-alone show of men’s wear for Gucci on Monday, the label’s creative director Alessandro Michele alluded to the metaphysics of journey: real travel, time travel, armchair travel, metaphoric and philosophical voyages, everything but budget trips to Vegas on a Greyhound bus.It doesn’t really matter that the blather bore minimal relation to what he showed on the runway. In just a few seasons, Mr. Michele has revived the flagging fortunes of this venerable luxury goods label, one whose revenue for the year is predicted to top four billion euros (or $4.5 billion).To a large extent, he has done so by capitalizing creatively on how people consume culture in the internet era, rummaging for imagery and information, either ignorant or agnostic about the sources of signs and symbols, references and ideas.Photo

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Moncler Gamme Bleu, spring 2017. CreditValerio Mezzanotti for The New York TimesThus when Mr. Michele offers a men’s wear collection (and it was emphatically a men’s wear collection, notwithstanding the inclusion of a smattering of female models) before an audience that included his Hollywood BFF Jared Leto (they attended the Oscars together this year), Ryan McGinley and the blond ephebe boy-star Olly Alexander in a plush bordello space lighted the color of absinthe, two of the three dressed in glorious half-drag, you know you are in for a trip.And Mr. Michele delivered with souvenir jackets scrolled with dragons; flower patterned suits and contrast piped rowing blazers; Mary Janes with jeweled buckles; slickers and rain caps straight off a box of Fisherman’s Friend lozenges; over-embroidered jeans jackets; Fair Isle sweaters with Donald Duck woven into the pattern; satin kimono lounge jackets; tunics ornamented with military braid; drawstring painter’s pants and evening clothes stitched with what looked like trapunto flora.In doing so he demonstrated not only his estimable design chops but his kinship with millions of consumers who themselves are Instagram or Pinterest magpies, grabbing at bright scraps and shiny fragments for recombinant use.Continue reading the main story

Men's Fashion Spring 2017

News, reviews and features from the editors of Fashion & Style and T Magazine.

A Face in the Crowd at Moncler Gamme Bleu: Big SeanJUN 20

Prada: Spring 2017JUN 19

Men’s Fashion Shows: Versace and MarniJUN 19

Missoni: Spring 2017JUN 19

The Talk of the Versace Men’s Show: Music by PrinceJUN 19

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Travel, as others have pointed out, has been a leitmotif throughout the Milan men’s wear season. And while this is probably not the place for cranky opprobrium, it feels necessary to call out the obliviousness of designers who presented collections rife with references to campsites, tarpaulins, tents and displacement when millions of Syrian and Afghan refugees crowd Europe’s borders or wash up dead on its shores.Photo

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Prada, spring 2017. CreditValerio Mezzanotti for The New York TimesNaturally there is a temptation is to sit back and enjoy the spectacle when Thom Browne stages one of his usual displays for Moncler Gamme Bleu (a subsidiary line of the puffer giant Moncler, founded in 1952 and reinvented five decades later by Remo Ruffini as a fashion concern) in a glamping show rife with references to scouting and Smokey Bear.What is the harm? Mr. Browne is a skilled entertainer, albeit one occasionally in need of a dramaturge. As with past collections, the tableaux vivant devised here ended without plot resolution.In a bunkerlike show space on the edge of town, Mr. Browne laid sod, installed mature fir trees, piped in the sounds of crickets and birds. He erected 40 translucent pup tents in four parallel rows and then had his models march out in hooded floor-length coats that were half sleeping bag, half cagoule jacket.One by one the guys installed themselves before their bivouacs. Soon two mascot bears appeared, stopping by turns to help the models wriggle out of their bag-coats, revealing beneath them suits with short pants that formed the collection’s core.Photo

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Missoni, spring 2017. CreditValerio Mezzanotti for The New York TimesSome were in blanket plaid. Some were channel quilted. Some were in techno fabrics. Some had sequins and several were constructed using astrakhan, the fleece of newborn or fetal lambs. (Memo to PETA: Don’t blame the messenger.)Most were worn with knee socks and either safari or field jackets, all adorned with so many bellows-pockets you’d need a compass to find your keys. Once revealed, the models paraded around the space, dragging their cloaks behind them before returning to their tents and, unfurling the bags, bedding down inside.That was it. The show ended. The audience filed out. And as they did, some wondered what may become of those tents. “Exaggerated utility,” was his theme, Mr. Browne said later. Given recent events in Europe, the phrase struck an unwittingly callous tone.Miuccia Prada, too, seemed to take up travel as a thematic for a show that cast models as vagabonds, dressing them for the road in skinny cycling pants or chunky sweaters or nylon blousons, burdening their scrawny frames with bulging rucksacks (Prada’s first commercial success, in 1984, was a nylon backpack) from which brogues were hung hobo-style.Photo

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Giorgio Armani, spring 2017. CreditValerio Mezzanotti for The New York TimesThat many of the clothes had been printed with random motifs like watermelons, sombreros or the Buddha suggested Ms. Prada has more in common with a designer like Mr. Michele than you may imagine. Is there anyone left whose creative process is not influenced by the mysterious algorithms of Google Image? Probably not.The imaginative set for Prada — by AMO, a research arm of the Dutch architecture studio OMA — recast the interior of Prada’s space as a series of raked ramps constructed from structural metal mesh. Entering under eerie green light, and with Frédéric Sanchez’ distorted remix of Bjork’s “Army of Me” as an aural backdrop, the models climbed ever uphill toward some unseen vanishing point.As at Moncler Gamme Bleu, exaggerated utility was Prada’s tacit through-line. And as at Moncler Gamme Bleu, the show provoked questions that even a designer of Ms. Prada’s sure intelligence seems unprepared to answer.The sunniness of Angela Missoni’s relationship to travel is not easy to square with her personal experience of its perils. It was just three years ago last January that a chartered plane carrying her brother Vittorio, 58, his wife and four others (including a pilot and co-pilot) vanished as it left the Caribbean archipelago of Los Roques. The loss was devastating for

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　　Carlton Bragg Jr., remembers the day he made his own fashion statement on the basketball court, discarding long, saggy shorts for the kind basketball players wore before Michael Jordan dropped the seam in the 1980s.

　　“It was my sophomore year, AAU season. I was in the bathroom and everybody took their shorts (from team personnel). There was a small pair of shorts. I had to put them on. I scored 44 or 45 (points), something like that. I kept ’em after that,” related Bragg, KU’s 6-foot-10, 235-pound sophomore power forward from Cleveland.

　　Bragg never was comfortable wearing shorts three or four inches below the knee.

　　“It’s more comfortable. I sweat so much it’s so heavy under my legs,” Bragg said. “This feels comfortable to me.”

　　He thinks he can talk teammates Devonté Graham and Mitch Lightfoot to help him start a new trend of shorter shorts.

　　“I’m trying to get it back. I’ll give it one more month. It’s coming back,” Bragg said with a smile after taking part in drills for hundreds of Bill Self basketball campers Tuesday in Horejsi Center. “They (teammates) say it’s not their style. I’m going to get a couple people with me for sure.”

　　Bragg said the key to looking sharp with shorter shorts is to wear compression tights, as well.

　　“You’ve got to, got to. You don’t want to look a little suspect,” Bragg said, smiling.

　　The player who averaged 3.8 points and 2.5 boards a game his freshman season is already looking a bit bulkier than a year ago.

　　"I’m getting stronger, going with Hudy (Andrea, strength coach) every day, every morning just getting my body ready. I’ve put on six, seven pounds of muscle so far,” Bragg said. “I’m building more. I’ll probably put on another 10 hopefully. It’s about eating right, getting challenged each and every day.”

　　He said he was pushed around on the block his freshman campaign.

　　“Coming from high school to college … it’s a big difference,” Bragg said. “Playing fast. The veterans had a lot of experience over us. They knew what to do. We were just out there learning. It was hard but fun at the same time.”

　　Bragg’s also been working on his skill set this June.

　　“Getting back in shape, working on my jumper, pull-ups,” he said. “Ballhandling and the mindset to attack, attack. It (his game) is going to be a big surprise for everybody this year, trust me.”

　　Bragg said he’s been amazed at the play of freshman big Udoka Azubuike, who stands 7-foot, 270.

　　“He’s a big fella. I think he’s 7-feet, 7-1,” Bragg said. “Wait until he starts getting angles and knowing the experience like we do. He’s going to be tough, tough. When he gets the ball he really can score. It doesn’t matter. He’s going to dunk it. I didn’t know he could run the floor like that. He can run for a big fella.”

　　Of frosh forward Lightfoot, a 6-8, 210-pounder, Bragg said: “I’ve taken Mitch under my wing, leading him by example. I love his game. His personality is great. He reminds me of myself.”

　　And for freshman guard Josh Jackson, Bragg said: “He’s my roommate. He likes to joke around. He’s feeling more comfortable with us.”

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　　Bragg was in an especially good mood on Tuesday, a day after his hometown Cleveland Cavaliers stunned Golden State in the Bay Area to cut the deficit to three games to two in the NBA Finals with Game 6 on Thursday in Cleveland.

　　“I’m loving it,” Bragg said. “Good win yesterday. I think we’re going to come out and win. I knew they had that mindset, the killer instinct and LeBron (James) with his leadership carried the team. They’ve just got to buckle down on defense, stop (Stephen) Curry and Klay (Thompson), stop them from having those 30- and 40-point games.”

　　Bragg, by the way, might be convinced for an encore of his piano playing at this fall’s Late Night in the Phog. He recently shocked some campers by performing for them.

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　　“They were very amazed,” Bragg said. “One kid came up to me and said, ‘I saw you at Late Night.’ I said I’d play for him again. I played a little ‘Ego,’ little Rihanna, ‘Work.’ I’m trying to take a class this summer, get my skills back, get it back up to par for this year.”

　　This, that: Former Mississippi State guard Malik Newman is on a campus visit to North Carolina State, Zagsblog.com reports. ESPN.com’s Jeff Goodman says he’ll visit Miami this weekend. He’s also considering KU, Western Kentucky and others. ... Draftexpress.com says former KU forward Cheick Diallo will be taken 19th in the June 23 NBA Draft by Denver. Wayne Selden Jr., is listed as No. 19 pick of Round Two by Detroit.

Eva Longoria has spoken with warmth about the dress best friend Victoria Beckham designed for her wedding, saying it was "made with love".

The Desperate Housewives star, 41, married Jose 'Pepe' Antonio Baston, the president of Televisa, in Mexico on May 21.

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Beckham created Longoria's silk crepe gown for the ceremony, as well as another dress for the post-dinner celebrations and a third for a civil ceremony the day before.

The former Spice Girl, 42, was also a witness at the civil ceremony.

During an exclusive interview with Hello! magazine, Longoria explained how she came to have "a Victoria Beckham weekend".

She said: "I asked Victoria to do my dress because I wanted it to be special and made with love - and I knew that Victoria would make it with love.

"Victoria was one of my witnesses too. She signed the paper that says I was here - so it was a Victoria Beckham weekend."

The actress-turned-producer added: "She was the best, sweetest person to have there on this day.

"Not only did she do my wedding dress but she's one of my best friends so for her to be there was so special."

The two women became close when the Beckhams lived in Los Angeles while David was playing for Major League Soccer team LA Galaxy.

The weekend of celebrations started with the couple's civil ceremony at the home of the owner of Mexican multimedia company Televisa.

The following day, another ceremony took place in the home of the bride and groom.

"We wanted to get married in our house and do something very intimate," Longoria told Hello!

"We have both been married before and we know the wedding is not the marriage so we wanted to pick a place so it wouldn't be about the event, but about celebrating our love.

"Now we are looking forward to the marriage part. We're just so excited to be Mr and Mrs Baston."

Alongside Victoria and David Beckham, guests included Melanie Griffith and Ricky Martin.

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Desperate Housewives star Vanessa Williams sang Save The Best For Last, a top three UK hit in 1992.

This is the third marriage for Longoria, who was previously wed to US actor Tyler Christopher from 2002 to 2004 and basketball star Tony Parker from 2007 to 2011.

Baston's three children from a previous marriage were given important roles on the day.

Longoria said: "Pepe's two daughters and son were the only ones in the wedding party.

"His daughters walked down the aisle with me and the kids all held the rings."

She added: "They were part of the ceremony, of course, because I'm not just marrying Pepe, I'm marrying his whole family.

"For me it was so important that their happiness was at the centre of this celebration and it was. They were so excited and happy."

:: Read the full interview in Hello!, out now.

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Over the weekend an exhibition opened at the Museum at the Fashion Institute of Technology in New York. Entitled “Uniformity,” it displays 71 pieces from the museum’s collection of (surprise) uniforms, divided into four categories — military, work, school, sports — as well as a select group of the fashion looks they influenced, like Geoffrey Beene’s 1967 sequined football jersey gown and Rei Kawakubo’s 1998 military vest and pleated skirt for Comme des Garçons.“I was interested in the inherent dichotomy between uniforms and fashion,” said Emma McClendon, assistant curator of costume, and the organizer of the exhibition, “because while they should be antithetical to one another — the first is about conformity, the second about creativity — they are also deeply interrelated. It’s ironic.”But not as ironic as the fact that the show opens just as a number of recent disputes have underscored a somewhat different, and disruptive, reality. We live in a moment in which the notion of a uniform is increasingly out of fashion, at least when it comes to the implicit codes of professional and public life. Indeed, the museum may be the only place they now make sense.If once upon a time Melanie Griffith’s character in “Working Girl” could manipulate viewers’ assumptions about her job and background simply by swapping leather jackets and minidresses for greige suits, today it would be impossible. “We are in a very murky period,” Ms. McClendon said.Just before the museum’s show opened, for example, Britain was momentarily distracted from discussions over Brexit (leaving the European Union) by the news that Nicola Thorp, a temp worker, had been sent home from her receptionist job at PricewaterhouseCoopers for refusing to wear heels, as dictated by the dress code of her agency, Portico.She took her cause public, starting a petition for a parliamentary hearing titled “Make it illegal for a company to require women to wear high heels at work.” If you get more than 100,000 signatures, Parliament will consider the petition, and as of Tuesday afternoon she had 140,712.Photo

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Elisabeth Moss as Peggy Olson, an advertising-secretary-turned-copywriter in the 1960s, in the television show, “Mad Men.” CreditJordin Althaus/AMC, via Associated PressAlmost immediately, ITV, the British television network, conducted a pollon whether employers should be allowed to require women to wear heels;social media freaked out; and Portico announced it had changed its policy: Flats were now acceptable for women (men, of course, could always wear them).Continue reading the main storyEditors’ Picks

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A few days later, sweatergate broke out in the United States when a weather forecaster on KTLA-TV in Los Angeles was handed a gray sweater to cover up a tank dress she was wearing on the air. She said it was a joke, courtesy of her co-anchor, but Twitter took offense, perceiving it as an attempt to control what women wear.All of this follows famous dress code brouhahas like the UBS scandal of 2010 when the Internet discovered that the Swiss bank had issued a 44-page booklet of guidelines for employee dress that included instructions on shoulder width and underwear shade.Then there was the “flat shoe” uproar of 2015, when two women were supposedly barred from the red carpet in Cannes for not wearing heels. (The festival director denied the report on Twitter.)And earlier this year, Kansas State Senator Mitch Holmes was forced to issue a public apology for having included, in his guidelines for the Senate Ethics and Elections Committee, which he chaired, a rule for those appearing before the state panel that read: “Conferees should be dressed in professional attire. For ladies, low-cut necklines and miniskirts are inappropriate.” No such specific guidelines were issued for men. Oops. This did not sit well with many.“I have decided to retract the conferee guidelines,” he said later in a statement, which also noted, “My failure to clearly specify that all conferees, regardless of gender, should strive to present themselves professionally is unacceptable.”Photo

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Mary Tyler Moore is shown as TV news producer Mary Richards in a scene from the “The Mary Tyler Moore Show” in the 1970’s. CreditAssociated PressThe slippery slope may have started as a gentle incline way back in the 1970s, and become a bit steeper during the Casual Friday movement of the 1990s and the success of the Facebook I.P.O. in 2012 with its hoodie-wearing billionaires. But today, we are speeding down it at breakneck pace, partly thanks to the hot-button conversation around gender equality, and fluidity.“There has been a dramatic change very recently,” said Susan Scafidi, a law professor at Fordham University and founder of the Fashion Law Institute.She noted that last December the New York City Commission on Human Rights announced new guidelines for the municipal human rights law that expressly prohibited “enforcing dress codes, uniforms, and grooming standards that impose different requirements based on sex or gender.”As a result, no employer may require men to wear ties unless they also require women to wear ties, or ask that heels be worn unless both sexes have to wear them. And though this applies only to “official” dress codes, the trickle-down effect is inevitable.“Dress is now open to the interpretation of the individual, rather than an institution,” Professor Scafidi said.This has created an even greater tension in the more ambiguous areas of office dress, especially as the boundaries between home and work become ever blurrier.Photo

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Calista Flockhart and Gil Bellows in the Fox television series, “Ally McBeal”.CreditLarry Watson/Fox, via Associated Press“There’s a strain of thought that says an employee represents a company, and thus dress is not about personal expression, but company expression,” Professor Scafidi said. “But there’s a counterargument that believes because we identify so much with our careers, we should be able to be ourselves at work.”And that has led to all sorts of complications. One person’s “appropriate” can easily be another’s “disgraceful,” and words like “professional,” when used to describe dress requirements, can seem so vague as to be almost meaningless. Kanye West wearing ripped jeans and a jeweled Balmain jacket at the Met Gala: cool or rude? Julia Roberts at the premiere of “Money Monster” at Cannes this year in bare feet: red carpet pioneer or a step too far?At The New York Times, Michael Golden, the vice chairman, told me: “We have customer-facing jobs and those that are principally internal. We ask employees to dress appropriately for the interactions planned for their day.” But that can have broad interpretations. In the newsroom, people show up in everything from double-breasted suits to shorts; from sneakers and Birkenstocks to platform heels.All of which leaves us where? Confused, mostly. And fast trying to create our own codes, or parse those of the offices around us. Mark Zuckerberg, for example, is on the record as saying he wears the same gray T-shirt every day so that he can focus his energy on other decisions.Ms. McClendon acknowledges that she tends to wear “all black, pretty much every day, and sculptural shapes — it’s the museum uniform.” Professor Scafidi said, “My business uniform is a black jacket with a fitted, knee-length sheath, classic 100-millimeter single-sole pumps, and usually our logo pin — my equivalent of armor, arms and insignia, respectively.”Indeed, according to Ms. McClendon, uniforms evolved for a reason: “They fulfill a need to identify your place in the world,” for the wearer and the observer. At least when they are easy to read. And part of the idea behind the F.I.T. show, she said, was to “put visitors in the mind-set to consider uniform dressing more broadly, and how it impacts their own lives.”In other words, to live an examined life when it comes to your wardrobe and your workplace. Because these issues are only going to get more complicated.“We are moving into an era where personal expression is going to trump the desire to create a corporate identity,” Professor Scafidi said. “It’s a huge power shift.” And it has already begun.

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Don’t ask men to explain why it takes them so long to put on their shoes.There are many things men are all too happy to explain, at length, condescendingly and pedantically — the electoral college, the differences between the Game of Thrones books and television program, membership qualifications for various athletic halls of fame, exactly how difficult a given drum solo is, etc. — but why it takes them so long to put on their shoes is not one of them.This is because men don’t believe they take a long time to put their shoes on.Related: The Mysteries of Male Competition, ExplainedI know this, in part, from experience. I am familiar with my girlfriend’s belief that I take a long time putting on my shoes. But do I actually take a long time to put on my shoes? Until recently, I would have said no; it’s just that my girlfriend is short, and therefore closer to the ground, which means gravity has a stronger pull on her, which warps her perception of time. I would never have imagined that “my boyfriend takes a long time to put his shoes on” was a common refrain.But it’s not just me, and it’s not just my relationship. Based on the reactions I got when I mentioned this article, waiting for men to deal with their shoes is one of very few universal experiences shared by straight women. The amount of time men take to put their shoes on is one of the great untapped bad stand-up riffs of our time.And men don’t buy it. “Do you take a long time to put your shoes on?” I asked my friend Abe recently. “No?” he replied, confused. “[My girlfriend] Caroline definitely has told me I’m slow at it,” my friend Dan admitted, in the kind of vague, skeptical way you might back out of a conversation with a 9/11 truther. “I can time it,” Abe offered. “Like ... one to two minutes.” Another friend, Jeb, told me his girlfriend had once accused him of being not just slow but bad at putting on his shoes, a charge he flatly denied: “I’m dope at it, just like I’m dope at everything.” There is no arena in life to which masculine confidence does not extend.Does Abe take a long time to put his shoes on? “Yes,” his girlfriend Xochitl replied, unequivocally. What did Caroline have to say? “Dan takes forever.” As though I needed further confirmation, I asked a female friend who’s been in relationships with both men and women. “Are you kidding?” she replied. I was worried I’d offended her, but she just couldn’t believe I was asking a stupidly obvious question. “It’s like night and day. [My current girlfriend] takes a long time putting on her shoes, too, but [my ex-boyfriend] was the worst.” (Based on conversations with gay men, the in-couple dynamic of slow shoe-putter-on-er and fast persists across all couples, even when it doesn’t fall along gender lines.)Related: This Is the Worst Compliment You Can Give a ManOf all the many compromises women are forced to make, a few extra seconds waiting during shoe preparation is not, on its face, the worst. But consider this: If your dude takes an average of 30 extra seconds to put his shoes on, and the two of you leave your home together five times a week, you’re spending more than two hours every year waiting for your so-called “life partner.” The average American woman gets married at 27 and has a life expectancy of 81 years. That’s 117 hours — nearly five days — of her life spent waiting for her husband to pick out and tie his fucking shoes.So understanding why men take so long to put on their shoes requires asking women who date and marry men, some of whom have devoted significant (and irritated) portions of their lives studying their partners’ shoe-dressing habits.One common theory: laces. “More of [Abe’s] shoes are lace-up,” Xochitl theorized, and they have “more laces in general.” It’s true: Unless you’re dating Daniel Lara or a gladiator, your dude’s shoes will almost certainly have shoelaces, while yours most likely don’t. (One of the few women I spoke with who was unfamiliar with the stereotype realized that it might be because she mostly wears sneakers, and therefore might take a similarly long time to tie them on.) Laces are a highly complicated interface that require us to draw upon years of accumulated knowledge and skill; further, they demand a degree of dexterity not traditionally attributed to men.Indeed, consider the entire physical process of the man donning shoes. Men are less flexible and their centers of gravity are, on average, higher, but a shoe that requires laces requires its wearer to sit or kneel. As Xochitl puts it, “Abe also can’t stretch very well, so there is more foot heft.” Consider, too, that larger feet means larger heels, which in turn means more complex rotational angle-of-entry calculations — undertaken, again, by a less flexible, and generally heavier, body.And even setting aside our physical limitations, men are vain and insecure; we’ve been socialized since an early age to seek attention and approval. “[Dan’s] picking out his shoes, and asking for my opinion,” Caroline told me, “and then switching back.” “They make a performance of it; like, a lot of pausing between one shoe and the next,” another friend suggested. “They’re seeking acknowledgment of a difficult job well done. They’ve hunted those shoelaces, and brought back the dead carcass of the bunny-loop tie.”I tried to think about this as I put my shoes on: Am I seeking acknowledgment for this minor task? Is it time to switch to Velcro? But trying to think while working only made me take longer. It seemed clear that the problem wasn’t the shoes, or my girlfriend, but me. Men just aren’t built for shoes.More from The Cut:backless prom dresses uk

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n bewildering, horrifying but true news, we recently learnt that Donald Trump will be the Republican candidate in the US Presidential elections this November. While his third wife Melania has been accompanying her husband to key caucus events and will undoubtedly be a gloriously shoulder-robed presence on the campaign trail, it’s said that “the Donald’s” first wife Ivana - who describes herself as “the ultimate symbol of strength, glamour and worldliness” - is providing calculated behind-the-scenes support for her ex-husband’s White House bid.

It’s not just in political spheres that Ivana has been wielding influence of late. At a recent trend presentation, Net-a-Porter’s Vice President of Global Buying, Sarah Rutson, cited the first Mrs Trump as a key fashion inspiration for this year.

Saint Laurent AW16

Singling out Hedi Slimane’s farewell Saint Laurent show, Rutson pointed to Trump in her 80s excess heyday as the template for a new uber-glamorous mood in fashion. From Slimane’s super-short cocktail dresses with elaborate bows to Isabel Marant's one-shouldered ruched tops and fishnet tights and Balmain’s hard-edged, power shoulder jackets, the va-va-voom which Ivana - who told a New York Times journalist "You don't have to put down the second name…Ivana is what the people call me" - once brought to the upper echelons of American society is well and truly back on the radar.

Balmain AW16

After meeting when one-time champion skier Ivana was working as a model - what else? - in New York, Donald and his Czechoslovakia-born first bride were married in 1977. A mutual quest for world-domination ensued and the couple became the poster man and woman for the boom-fueled opulence of the 1980s.

With her bouffant of blonde hair, Ivana probably consumed 99% of the world’s supply of Elnett hair spray- a feat she continues to achieve to this day. The beehive sported by Joanna Lumley's Patsy character inAbsolutely Fabulous is said to have been inspired by her.

Ivana and Donald Trump in 1989 CREDIT: REX

Her wardrobe, meanwhile, made Dynasty’s Alexis Carrington look like a nun. Think elaborate taffeta creations with the look of a life-sized Quality Street wrapper, unashamedly oversized fur coats and the most bling-tastic cocktail dresses imaginable.

“When she had first come to New York, she wore elaborate helmet hairdos and bouffant satin dresses, very Hollywood; her image of rich American women probably came from the movies she had seen as a child," was how Vanity Fair described Ivana's style in an analysis of the Trumps' eventual divorce in 1990. "Ivana had now spent years passing through the fine rooms of New York, but she had never seemed to learn the real way of the truly rich, the art of understatement.”

Ivana Trump with Count Roffredo Gaetani in 1997

But it is this very failure to achieve a minimalist, whisperingly-rather than screamingly- expensive style which makes Ivana our new fashion muse. After years of desiring only Celine cream tunics, The Row's perfect black trousers and anonymous crisp mannish shirts, the fashion world has been crying out for Drama! Excess! Fun! Ivana, if you'll pardon the pun, comes up trumps.

"It may not be the decade we remember with the utmost fondness, but the hard edged glamour of the eighties certainly made an impact this season" confirms Lisa Aiken, Net-a-Porter's retail fashion director. Luckily she has advice for how to wear it now. "To keep the look modern, be selective and don’t try to replicate the era top to toe. At Net-a-Porter, we’ve bought into wide belts to bring that 80s cinched-waist silhouette to mini dresses and blazers. Balmain, Maison Margiela and of course Saint Laurent showed strong ones for AW16. In terms of accessories look for sharp stilettos, oversized statement earrings and chain handle bags, but wear them one at a time."

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More opulent Ivana glitz from Hedi Slimane's final Saint Laurent collection

Since the divorce from Trump (in which she managed to receive a $20 million settlement despite his impending bankruptcy), Ivana has married twice again. Both were short-lived marriages. So renowned had she become for encapsulating 80s glamour, that she spent most of the 90s capitalizing on it with her own fashion line- Ivana Haute Couture- which offered copies of her own designer wardrobe and jewellery. It seems she had even come around to her ex-husband’s thrifty way of thinking, declaring: "For me, the real jewels are not that important now. I wear my costume jewels from my collection."

Ivana also famously made a cameo appearance in the 1996 film The First Wives Club in which she advised: “Don’t get mad, get everything”. It’s a phrase which could take on new meaning in today’s era of Donald Trump domination. Rumours swirled about the power struggles in the Trump marriage and Ivana has made allegations about her ex-husband's violence towards her. So perhaps all the gilted jewellery, piles of brassy blonde hair and opulent wardrobe weren’t just an expression of an 80s anything-goes culture, but the sartorial solution to dealing with “the Donald.” So pile on the tackiest, sorry, blingiest costume jewellery you can find, pull on a sequinned cocktail dress with sleeves the size of Donald's ego and face the prospect of a Trump presidency in defiant Ivana-style.

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Candice Romo, the wife of Cowboys quarterback Tony Romo, recently joined the Ben & Skin Show to promote her charity fashion show.

On June 2, Romo and other members of the Dallas Cowboys Women's Association will be walking the runway to support the Nexus Recovery Center in Dallas and The Gatehouse at Grapevine. Click here for more information or call 972-497-4955.

Here are some highlights of their interview:

Question: One of the things we really want to know, Candice, is what is life like with Tony, especially in a year like this where he was kind of cooped up?

Candice Romo: I'm ready for him to get back to work [laughs]. He gets restless. When you're used to going, going, going and you're an athlete, it gets pretty tough when you have to recover and lay around a lot to heal your body. He's ready to go. I think all wives can relate. You're ready for them to get out of the house and get back to work. This last offseason has been pretty nice because the season felt more like an offseason, really, because of his recovery process. Now it's like he's back to the grind. It feels pretty good to get back into that routine again. Just living the dream with Mr. Romo over here [laughs].

Question: Talking fashion: It seems like every time I see him on TV he's wearing the same black hat. There's nothing on it. What's the story on that hat?

Candice Romo: You know I've learned with Tony I can bring him the trough, he just has to choose to drink it. I can only do so much. I can buy whatever clothes that look good on him, but he is his own fashion stylist. I just go with it. There's only so many things I can do. Now with kids, I think a lot of other wives can relate, things start looking less important on the docket. His fashion taste is one of them. I feel like he's gotten better over the years. I feel like every year we get a little bit closer. Right?

Question: That's fascinating to me because I've been with my wife for almost 20 years and she just makes fun of the way I dress when she met me. I'm like, 'Well why did you even pay attention to me back then?' I mean, it's a little different with a Tony Romo, but what did you think of his fashion?

Candice Romo: Tony will say the same thing when he's going out somewhere. I'm like, 'I think you should re-think that.' He's like,' Well it worked on you.' I'm like,' Well, I'm just trying to help you here. Honey why would I want you to look silly out there? I want to help you. I'm trying to help you.'

Question: What is Tony like around the house? Is it hard to get him to take the trash out? Does he have any cooking skills?

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Candice Romo: Let's just say I think he uses his back as an excuse quite too often. I mean there's only so many times when he's like, 'Oh I can't. My back and my collarbone. I can't.' So once like that week is up after surgery and things, I'm like, 'Okay. You're back to taking out the trash. You're back to your normal routine.' So yeah, he does a lot around the house. We take turns doing stuff. He's pretty good. I think all wives could always urge a little bit more on our husbands, but he does pretty good.

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