The bridesmaid group is an important role to protect the bride. Usually, the bride will invite the unmarried friends and relatives around them to make up. Some are one or two, and some also invite a dozen friends to form a bridesmaid. They generally dress alike and dress similarly to the bride. They are responsible for protecting the bride on the whole wedding and serving the bride to ensure the smooth progress of the whole wedding.
1. dress
The members of the bridesmaids generally take a uniform dress, both to highlight the wedding atmosphere and to foil the bride. Of course, it must be convenient to act, not to distract the dress. After all, the most important job is to take care of the bride.
Also, it should be noted that the dress adornment of the bridesmaids and the best man group should be consistent with the main colors of the wedding.
Dress style
(1) the design of the bridesmaid group dress is simpler than that of the bride. The dress style is between the evening dress and the leisure dress. Do not choose long mop. This is too grand and can be focused on the small dress.
(2) dress should be low-key and dignified, not too revealing. Otherwise, it will grab the bride's limelight and upset the elders.
(3) in order to avoid clothing being too orthodox or too casual, fashion elements can be added to the details. If it is to wear a suit with a fashionable lace and lace, the coat is equipped with an alternative small sling, with a bright color, a bead piece, a five colored splice and a sexy bra.
(4) the skirt of the bridesmaid group should not be too short, so as to avoid outdoors activities and not match the occasion.
2. conditions
(1) the member of the bridesmaid group must be a woman and physically check the customs.
(2) the member of the bridesmaid group must be an unmarried woman and, if necessary, produce an unmarried certificate.
(3), the bridesmaid members must be more ordinary than the bride, of course, if the appearance and the bride can be similar, because the bride will certainly become the focus after make-up, but avoid Bridesmaid brides.
(4) the members of the bridesmaids must be honest and honest women. Because the wedding day will be very messy, the bride is a little hard to collect red packets, in general, the bridesmaid must take a bag, in addition to put in time to put some of the equipment to make up a large part of the place to place red packets, do not want to lose the situation of red packets.
(5), the members of the bridesmaids must be a delicate and flexible woman, because there may be something unexpected at the wedding, and the bride is often bliss, and has been undecided. So the bridesmaid must always pay attention to the situation and make the right advice and advice in time. .
(6), the members of the bridesmaid must have some wine, and when necessary, they can block the bride, because the main character of the day must be the bride, and the bride can't do anything. The green leaves must be in place.
(7) the number of bridesmaids is determined by the size of the wedding ceremony. The two wedding ceremony is enough. If you ask many bridesmaids, you must combine them into double numbers. They should be good to be double, and avoid the odd number after "one". It will be unlucky.Read more at:one shoulder bridesmaid dresses uk
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A clever bridesmaid dress can not only enhance the bride's aura, but also create a wedding atmosphere. So let's see what the rules are for bridesmaid dresses!
1. The color of bridesmaid dresses.
The bride's dress is pure white at the wedding, and the bridesmaid dresses should be in a soft color. The bridesmaids can also choose a light, light-colored dress, but the bright colors are suspect. Light colors: pink green, champagne, pink and blue, not only for bridesmaids, but also for the bride's perfect skin.
2. Style of bridesmaid dresses.
The dress is to wear the chest type, need to match on the waist a chic ribbon, contracted design can let the bridesmaid appear beautiful, generous. If it is winter, the bridesmaid is not responsible for many tasks, but can choose a long strapless gown, and also cater to the solemn atmosphere of the wedding. However, the bridesmaid dresses can't be decorated and embellished too much, and the whole line can be used to save the good figure curves of the bridesmaids.
3. Bridesmaid dress fabric.
Dress besides color, tailoring and fabric details is also the focus of the modelling, elegant and gorgeous chiffon, romantic classical lace, elegant richly velvet cloth, or vertical compose feels dye-in-the-wood, luster of silk material, elegant and fit clipping, can foil a bridesmaid its charm, gentle and graceful light of confident.
4. Features of bridesmaid dresses.
Bridesmaid dresses are usually short and simple. The length of the dress short dress around the knee is the most appropriate, then can guarantee the bridesmaid action is convenient, don't affect the work of the maid of honor, and secondly is showing the bridesmaid young, lively, and the difference between the bride's noble elegant. In addition, the bridesmaid should not be too revealing, should try to be low-key and modest.
5. Bridesmaid's indoor dress.
Bridesmaid wedding should be like the bride's wedding dress style is ok, if the wedding day the bride to wear a long trailing formal dress, bridesmaid can wear a long vertical floor style of dress, and tie-in appropriate gloves and tire. If the bride wears a simple wedding dress, the dress design of the bridesmaid should not be complicated, the color should be unified.
6. Bridesmaid outdoor dress.
Outdoor dress pay attention to the color of the clothes and the bride dressed in coordination, such as outdoor is to build the atmosphere that gives some romantic wedding, bridesmaid can choose short dress, slightly over his knees. At the same time, the bridesmaid dresses are mainly knee-high, with light green, lavender... Light colors dominate.Read more at:

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The bridesmaid is the second most important role in the wedding, and the dress and makeup is also highly demanding, which needs to be well matched with the new bride and the wedding style. So what colors do the bridesmaids wear? Let's see.
The perfect wedding is not only the bride and groom, but also the bridesmaid and the best man. The dress of the bridesmaid is also very important. Now let's see what color the bridesmaids are wearing, and what are the techniques for selecting bridesmaids' shoes.
What colors of shoes do the bridesmaids wear?
1. As the bridesmaid in the wedding, their dresses will usually be more elegant, so the bridesmaid can choose purple, blue and other cool colors to match the dress.
2, if the bridesmaid dress is pink, coral, and cream warm color to move, the bridesmaid high-heeled shoes, the right to wear what color of suggestion the maid of honor with gold, copper, or pale green high heels to match the dress.
3, the maid of honor, high heels, right to wear what color if the bridesmaid can really can't find and dress collocation, the small make up recommend a bridesmaid can consider with metallic luster shoes, the color is not only bright spot, and also very joker.Read more at:KissyProm white prom dresses| vintage prom dresses uk

For evening dress and hairstyle collocation, oneself advocate elegance, restoring ancient ways. Only the simplest things can best foil the classical beauty of Oriental women.
1. Simple notoginseng points, the hair into the top of the head more walking arm in arm, up to the rear of the ears, with a hairpin shape, this hairstyle for big waves MM oh ~ do fast and convenient
The big, wavy hair of 37 points will make you look like a charming mermaid at the dinner party, but the hair must be done with wax.
3. This hairstyle is suitable for the MM, straight hair hexagon points, in addition to natural hung in front of the few repeatedly, other all lived with string, and then the hair end plug into the hair, the lower part make a bit bigger, fluffy, languid is lazy and charming oh ~
4. Short hair can also be in the dinner party brilliant oh ~ put the hair on both sides of the irregular notoginseng points, then use a curling iron to the hair end on the left to the right cheek curl it slightly, to the right of the hair end is slightly outward, suddenly the whole hair style is dynamic.
5. Go to introduce a Korean elegance, comb all the hair in the future, first into a to the neck position braid, then put the braid into three strands, staggered winding up, the last in a shiny bun upper clip hairpin with drill, hairpin is bright spot oh ~Read more at:unique prom dresses| short prom dresses 2018

The girls want to dazzle at the ball, they have to wear a beautiful evening dress.
Fold the paper on the square, fold it up and down, and unfold it, then a "ten" creases appear.
1. Fold the left and right sides along the middle line, then fold it in half, and then open it with eight rectangles with the same width.
2. Fold to the left of the third crease on the right, fold the second crease to the right, and the left side folds.
3. Turn it over, and fold the bottom end by drawing and press it flat;
4. Fold the left and right sides along the first crease to the middle line;
5. Take the middle horizontal line as the shaft, and press the two sides as the figure and press;
6. Fold it back from the middle, press the trace, and then fold it from a slightly higher position.
7. Make a slight adjustment in the later folding part, and then draw some patterns on the evening dress for a better look. Do you understand? Just do it! Read more at:(cliquez ici pour suivre le lien)|  (cliquez ici pour suivre le lien)

The girls want to dazzle at the ball, they have to wear a beautiful evening dress.
Fold the paper on the square, fold it up and down, and unfold it, then a "ten" creases appear.
1. Fold the left and right sides along the middle line, then fold it in half, and then open it with eight rectangles with the same width.
2. Fold to the left of the third crease on the right, fold the second crease to the right, and the left side folds.
3. Turn it over, and fold the bottom end by drawing and press it flat;
4. Fold the left and right sides along the first crease to the middle line;
5. Take the middle horizontal line as the shaft, and press the two sides as the figure and press;
6. Fold it back from the middle, press the trace, and then fold it from a slightly higher position.
7. Make a slight adjustment in the later folding part, and then draw some patterns on the evening dress for a better look. Do you understand? Just do it! Read more at:

If there’s time before or after the Perry Ellis presentation at 9 a.m., grab coffee atBluestone Lane, which is right outside of the Grace Building. The Australian coffee shop is known for its flat whites and macchiatos, but it also serves healthy breakfast options, including hot coconut quinoa porridge and chia-seed breakfast cups.

This story first appeared in the July 11, 2016 issue of WWD. Subscribe Today.

1114 Avenue of the Americas, New York, NY, 10036, 212-764-0044

After Linder’s 1 p.m. presentation, head toDeepcover, a new men’s store that specializes in vintage sportswear from brands such as Ralph Lauren, Nautica and Tommy Hilfiger, along with athletic jerseys and old concert and pro-wrestling T-shirts. The store opens at 1 p.m. on Mondays.

162 Allen Street, New York, NY, 10002, 646-666-0568

Day 2: Tuesday, July 12

If there’s time before or after Michael Kors, whose presentation runs from 11 a.m. to 2:30 p.m., try to get a workout in at The Dogpound, a buzzy gym that opened this year with a client list that includes Victoria’s Secret model Jasmine Tookes, actor Hugh Grant and president of the New York Stock Exchange Tom Farley. The matte-black gym, which was designed by Fabien Baron, has gained a following because of its familial environment and high-intensity workouts.

1 Renwick Street, New York, NY 10013, 646-620-6533

Or if eating is the priority, go to Gotan, a neighborhood café that serves a nice selection of Instagram-friendly dishes — think artfully created bowls of oatmeal decorated with berries, coconut flakes and flax seeds, or avocado toast sprinkled with feta and red-pepper flakes. Then there’s the coffee, which is made by well-trained baristas who are masters at latte art.

130 Franklin Street, New York, NY 10013, 212-431-5200

Before N.Hoolywood at 5 p.m., stop by Underwest, an almost hidden doughnut shop inside a car wash along the West Side Highway that makes artisanal cake doughnuts in exotic flavors ranging from jasmine green tea to blueberry thyme. The shop closes at 5 p.m. on Tuesdays.

638 West 47th Street, New York, NY 10036, 212-317-2359

Or pop into the Gagosian Gallery, which is showing a new large-scale steel sculpture installation by Richard Serra.

555 West 24th Street, New York, NY 10011, 212-741-1111

Day 3: Wednesday, July 13

Since Coach is showing its men’s collection in its new offices at 10 Hudson Yards, which is connected to the High Line, consider having breakfast at The Wild Son, a newly opened restaurant from the team behind the Wayland and Good Night Sonny. The dishes, which err on the side of healthy, range from grain and egg bowls to tartines and sandwiches. There’s also a selection of freshly made juices.

53 Little West 12 Street, New York, NY 10014, 212-727-7900

Most of the shows on Wednesday will be at Skylight Clarkson Square, which is only a mile away from the Whitney Museum. There won’t be time to peruse every floor, but one could head straight to the fifth, for Danny Lyon’s new exhibit. This is the American photographer’s first career retrospective in 25 years. Or stop by the Studio Café on the eighth floor, which features outdoor seating and views of the Meatpacking District, Hudson River and the High Line.

99 Gansevoort Street, New York, NY 10014, 212-570-3600

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Before or after the Tommy Hilfiger presentation from 5 p.m. to 7 p.m., head to A Shine & Co., a recently opened San Francisco-based shoe-shine shop that’s located in Chelsea Market, right next to the Decatur & Sons barbershop.

75 Ninth Avenue, New York, NY 10011 917-676-7394

Day 4: Thursday, July 14

After Eidos at 9 a.m., check out the new International Center of Photography Museum on the Bowery. An exhibit called “Public, Private, Secret” is currently on view — it highlights work from artists and photographers such as Andy Warhol, Cindy Sherman and Ron Galella — and the Little Italy-based Maman café, which was cofounded by Michelin-rated chef Armand Arnal, has opened an outpost within the space.

250 Bowery, New York, NY 10012, 212-857-0003

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Between the shows and presentations at Skylight Clarkson Square, consider having a meal at Houseman, which opened late last year and recently started serving lunch between 11:30 a.m. and 2:30 p.m. Founded by Adam Baumgart and Ned Baldwin, who started the restaurant as a pop-up on the North Fork of Long Island, N.Y., before opening this permanent location, the restaurant focuses on elevating simple dishes and has been lauded for its burger and roasted chicken.

Hasan Minhaj is a comedian, actor, writer, performer and all-around news junkie. He’s now using his politically-infused wit to entertain on The Daily Show as the Senior Correspondent. I caught up with Hasan about comedy, news, working for a different boss, and more.Before you were “Hasan Minhaj, Comedian,” who were you, back in Davis, California?I was actually a really, sort of nervous shy kid. In high school, it was one of those things where I wasn’t popular or a loser, I just don’t think many people really knew who I was.How did you get your comedy start? Was there any point where you thought, okay, this is what I want to do when I’m older? Or did it occur more organically?Well, really, I did speech and debate in high school, and then when I was a Freshman in college I had never seen stand-up before and I saw Chris Rock’sNever Scared at a friend’s apartment and I thought, wow this is funny speech and debate — I should give this a try and see what happens.Who are some comedians who inspired you?Chris Rock, probably of all-time. Bill Burr, Louis [CK], and Jon Stewart.Who is the one comedian to keep an eye on right now?I would say, hmm, I can’t give you one, but I’d say a bunch of people are doing really really interesting things. John Mulaney, Ron Funches, Vicky Manwar.You joined The Daily Show as a correspondent back in 2014, do you have a favorite moment since your debut?The Jon Stewart finale was unreal, and my Justin Trudeau interview.What happens behind the scenes? I imagine there’s a lot of laughing going on when the cameras are off. Is it in any way like your ‘typical’ office job?Yeah, it’s really great. We’re all friends, we hang out, and what’s awesome is that from the top-down there’s sort of this “no asshole” attitude. Everybody is really great and contributing, and it’s a really safe place to talk about ideas and what’s happening in the world. I’m very lucky to have this job.The show is revolutionary in the way it combines journalism with hilarity, we see a similar approach with other shows such as SNL. Why is humor so effective when discussing more serious topics?

As satirists we get to stand on the sidelines of life and comment on what’s happening. And because we’re not telling any political, corporate, or religious lines, we’re able to honestly say things how they really are.He’s as amazing as advertised. Honest, thoughtful, sincere. And a comedy Jedi.Any distinct differences between Jon and Trevor Noah?The biggest difference between Jon and Trevor: Jon is like the Jewish Yoda and Trevor is like a comedy contemporary, where we are collaborating and going back and forth and creating, and building a new thing together.Where do you go to get your news? Do you believe that mainstream news sources are trustworthy?

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Now that I’m on the show we get our news from so many difference places. But look, I think there’s a lot of people doing really really amazing, interesting things. I think The Atlantic does great work, especially Ta-Nehis’s articles. Vox, they’re doing interesting, sort of field and digital pieces, which I think are really great. So there are people out there fighting the good fight.I’ve heard a lot of people say that they turn to comedy shows such as The Daily Show as their main source of news. Your thoughts on that?I think that’s awesome. I just hope that people get a variety of news sources to keep themselves informed.Not surprisingly, your one man show, “Homecoming King,” has left an impact on a lot of people. NPR called you an “absorbing storyteller.” How did the show start?The “Homecoming King” show started off as a storytelling show that I had done, I worked with Greg Walloch to develop it and build it into something bigger.You talk about living the American Dream. Do you think, or worry, that for many the opportunity to climb the socioeconomic ladder is getting more difficult?I think that we live in a time where, for certain marginalized groups, life itself is already really hard. With taxes and relationships and work and life and death and disease, and horrible things that happen in life, race is just one of those things that is just an added nuisance on top of the difficulties of everyday life in existence.I would hope that things are getting better, I’m an angry optimist in the sense that I think that there’s a lot more room to grow, but we live in an amazing time and a lot of good is happening in the world. We have a long way to go, but the needle is moving forward.I love how you have a spot on the “Homecoming King” website specifically devoted to giving others a voice — encouraging them to send in similar stories. What kind of response have you received?I’ve received some of the most amazing, heartfelt responses. And to me the reason why I asked people to share their stories is because if it’s just a show about me, that’s not interesting to me. But if other people can share their stories, that’s what art is really about — our collective and shared experiences.Let’s talk about being in the public eye in today’s world. Is it tough doing comedy in the age of social media? Has social media helped you?It’s a double-edged sword. It’s really helped me. It’s really helped me get in touch with people. You know, it’s how you and I actually got in touch. It’s also one of those things where everybody has a voice, and it can be used negatively, and that’s a problem, too.What’s your biggest piece of advice to comedians out there trying to break into the industry?

My biggest piece of advice is the same piece of advice that I heard from Conan O’Brien. Not to me personally, but I’ve heard him give this advice to other people: One, move to the city where they’re doing what you want to do. Two, immerse yourself in a community that is doing said activity and rise within that community, and three, just be nice.

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　　Made in Monção e Melgaço, the appellation’s northernmost subregion, this white Vinho Verde is all alvarinho, the acacia-scented grape traditional to this area that makes some of the region’s most complex and longest-lasting wines. Anselmo Mendes is one of Monção’s top producers, mixing his legacy as the son of a local grower with a flair for experimentation. For this bottle, he turned to a red winemaking process, leaving the grape skins in the must briefly after crushing, for a touch of tannin, structure, and intense floral notes. The skin contact makes this wine age-worthy, too. With a creamy texture, and complex aromas that run from lemon juice and pith to subtly fruity citron, with tart unripe peach, bay leaves, and hay mixed in, the wine also channels a sweeping saltiness and minerality. This golden-hued Vinho Verde is built to last for up to a decade. Pair with briny shellfish, lobster, and scallops.

　　bout the verde, or green, in Vinho Verde: this wine-making region in the north of Portugal boasts a particularly verdant landscape in an otherwise mostly arid nation; wine here was once made from underripe grapes; many Vinhos Verdes are the color of barely ripe lemons. Mostly, though, that verde is a tipoff that these wines are the opposite of aged. In white, rosé, or red, Vinho Verde is Portugal’s great picnic wine, made for drinking young. But lately the region has been taking itself more seriously, producing wines with greater complexity and, in some cases, even age-worthiness, while remaining true to the area’s youthful, elegant style perfect for warmer weather.

　　Vino Verde DOP vs. Minho IGP

　　The Vinho Verde DOP wine zone is geographically identical to the Minho IGP wine area. Same place, potentially different wine. While a Vinho Verde designation is meant to protect quality and tradition—with laws that dictate specifications like how many grapes a vineyard can yield, what kinds of grapes can be used, and how high alcohol levels can go in a finished wine—a Minho IGP label indicates a wine made from grapes in the same region that doesn't adhere to theVinho Verde DOP's strict regulations.Founded by Celtic settlers more than 2,000 years ago, this northwestern corner of Portugal has viticultural roots that stretch back to ancient Rome. Vinho Verde became a demarcated zone in 1908, making it what is now called aDenominação de Origem Protegida, or DOP wine, its geographical boundaries identical to the Minho region, its grape-growing and wine-production methods restricted in order to ensure a recognizable Vinho Verde style. Often thought of in terms of fresh, grassy white wines, Vinho Verde is, in fact, home to rosados (rosé) and reds as well, all of which have a basic brightness and easy drinkability. Within those parameters, there is much room to play. And the region’s diversity—a medley of grape varieties, vineyard soils that range from mostly granite to bands of schist, and a climate that runs from wet and cool by the bordering Atlantic to warmer, drier inland areas cooled by river-guided ocean breezes—is increasingly reflected in what is being made there these days. Once marketed as under-$10 bottles in one simple white style, Vinhos Verdes now extend from exquisitely blended wines to single-varietal finds, from bone-dry to bottles with varying touches of sweetness. Many, but not all, gently sparkle. Flavors are variations upon color-based themes—citrus-y whites, strawberry-noted rosados, intensely berried reds—all fresh and young and excellent with food.

　　Portugal is famed for its hundreds of indigenous grapes, most rarely, if ever, planted in other parts of the world. And the Minho region is no exception. It is one of the world’s oldest continuous wine regions, with ties to the British market first recorded in the 12th century, with wines that would be recognizable as Vinho Verde making extensive appearances on the British market during the 19th century. Until the 1980s, Vinho Verde wines tended to be red—made from grapes like azal, vinhão, and espadeiro—yielding tart, dry, rustic, and slightly sparkling juice. Then, the region’s whites, often made in a low-alcohol, high-acidity style braced by gentle fizz and sweetness, took over.

　　bout the verde, or green, in Vinho Verde: this wine-making region in the north of Portugal boasts a particularly verdant landscape in an otherwise mostly arid nation; wine here was once made from underripe grapes; many Vinhos Verdes are the color of barely ripe lemons. Mostly, though, that verde is a tipoff that these wines are the opposite of aged. In white, rosé, or red, Vinho Verde is Portugal’s great picnic wine, made for drinking young. But lately the region has been taking itself more seriously, producing wines with greater complexity and, in some cases, even age-worthiness, while remaining true to the area’s youthful, elegant style perfect for warmer weather.

　　Vino Verde DOP vs. Minho IGP

　　The Vinho Verde DOP wine zone is geographically identical to the Minho IGP wine area. Same place, potentially different wine. While a Vinho Verde designation is meant to protect quality and tradition—with laws that dictate specifications like how many grapes a vineyard can yield, what kinds of grapes can be used, and how high alcohol levels can go in a finished wine—a Minho IGP label indicates a wine made from grapes in the same region that doesn't adhere to theVinho Verde DOP's strict regulations.Founded by Celtic settlers more than 2,000 years ago, this northwestern corner of Portugal has viticultural roots that stretch back to ancient Rome. Vinho Verde became a demarcated zone in 1908, making it what is now called aDenominação de Origem Protegida, or DOP wine, its geographical boundaries identical to the Minho region, its grape-growing and wine-production methods restricted in order to ensure a recognizable Vinho Verde style. Often thought of in terms of fresh, grassy white wines, Vinho Verde is, in fact, home to rosados (rosé) and reds as well, all of which have a basic brightness and easy drinkability. Within those parameters, there is much room to play. And the region’s diversity—a medley of grape varieties, vineyard soils that range from mostly granite to bands of schist, and a climate that runs from wet and cool by the bordering Atlantic to warmer, drier inland areas cooled by river-guided ocean breezes—is increasingly reflected in what is being made there these days. Once marketed as under-$10 bottles in one simple white style, Vinhos Verdes now extend from exquisitely blended wines to single-varietal finds, from bone-dry to bottles with varying touches of sweetness. Many, but not all, gently sparkle. Flavors are variations upon color-based themes—citrus-y whites, strawberry-noted rosados, intensely berried reds—all fresh and young and excellent with food.

　　Portugal is famed for its hundreds of indigenous grapes, most rarely, if ever, planted in other parts of the world. And the Minho region is no exception. It is one of the world’s oldest continuous wine regions, with ties to the British market first recorded in the 12th century, with wines that would be recognizable as Vinho Verde making extensive appearances on the British market during the 19th century. Until the 1980s, Vinho Verde wines tended to be red—made from grapes like azal, vinhão, and espadeiro—yielding tart, dry, rustic, and slightly sparkling juice. Then, the region’s whites, often made in a low-alcohol, high-acidity style braced by gentle fizz and sweetness, took over.

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　　Among the many native grape varieties in the Vinho Verde zone, there are 15 that producers generally turn to for making the highest quality wines. Most are grown in the backyard-size vineyards—about 29,000 of them—that make up the viticultural area’s more than 51,000 acres of vines. Much of the cultivable land in Minho was once wrapped in grapevines trained to climb stakes, telephone poles, or walls—away from earth made cool and damp by the rain and winds blowing off the Atlantic Ocean, to escape the threat of grey rot.

　　Basic Vinho Verde wine is crafted throughout Minho and must clock in between 8 and 11.5 percent alcohol, but there are nine Vinho Verde subregions carved out from that land that offer more terroir-specific characteristics, including permission to tout up to 14 percent alcohol. Starting in the north, at the Minho River that separates Portugal from Spain, Monção e Melgaço is known for alvarinho wines with higher alcohol, quality, and price. Southward, along the Lima River, lemony floral blends of loureiro, trajadura, and arinto grapes take over in the Lima, Cávado, and Ave subregions. Avesso grape–based whites crop up in Amarante and Balão, in both crisp and, further inland, fuller-bodied styles. Meanwhile, fruity, rustic rosados and reds from red grapes like vinhão, borraçal, and alvarelhão are found in more southern subregions like Paiva.Many of these wines are blends, but there are single-varietal exceptions, most famously alvarinho—which is labeled Vinho Verde DOP only when grown and vinified in Monção e Melgaço, where the grape originated. But the loureiro, avesso, and arinto grapes are also capable of becoming quality varietal white wines, while the vinhão grape can produce intriguing reds. Wines that are made here without adhering to Vinho Verde regulation are labeled Minho IGP (Indicação Geográfica Protegida), an appellation that acts as a catchall for misbehaving bottles, some of which can offer fantastic value.

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　　Below, five picks for getting a serious, yet budget-friendly taste of Vinho Verde, thirst-quenching wines for a more luxurious picnic.

After 120,000 miles divided among a 2012 BMW 328i sedan, a 2014 BMW 328d xDrive wagon, and a 2015 BMW M3, we’re ready for a respite from the sixth-generation 3-series. Each one of those recent long-termers left us cold: too disconnected, too expensive, or too flinty, but most of all, just short of totally satisfying. BMW’s quest to adapt the 3-series for mass-market appeal has watered down our decades-long love for the car that once combined control, practicality, and fun like no other.Instead of hunting for the ghosts of BMW past with yet another long-term 3-series, we’ve redirected our focus toward a 2016 BMW 740i. We’ll spend 40,000 miles determining if BMW’s apparent new priorities—luxury and comfort before sport—have been perfected in the company’s flagship.

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The 7-series is less about driving and more about riding, and these days, that means a car packed with electronics. The sixth-generation 7-series takes the first baby steps toward automated highway driving with optional adaptive cruise control and brief stints of self-steering lane keeping. We assume that BMW designers also are fans of Minority Report, because the latest iteration of iDrive allows passengers to wave a hand or twirl a finger in front of the 10.2-inch touchscreen to accept an incoming call or to adjust the audio volume. Yes, the gesture controls are every bit as gimmicky and imperfect as they sound. Looking beyond the silicon and semiconductors, this new G11 chassis blends high-strength steel, cast and extruded aluminum, carbon fiber, and magnesium for a lighter unitized structure.Expensive, But Not That Expensive We’ve been conditioned to think of the 7-series as a six-figure car, so we impressed ourselves when we ordered our long-termer with a $96,095 price tag. It helped to start with the least expensive 7-series, an $82,295 rear-wheel-drive, six-cylinder 740i, because from there we positively splurged on indulgences. The $3900 Luxury Seating package with Cold Weather brings heated, ventilated, and massaging power rear seats; a heated steering wheel; heated front and rear armrests; and a 7.0-inch Samsung tablet in the rear console that allows control of just about everything in the car except for the steering wheel and pedals. The $4100 Executive package adds power side-window shades, ventilated 20-way adjustable front seats, a head-up display, and ceramic trim for the shifter, the iDrive controller, and the radio.

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　　We went for the $1900 Driver Assistance Plus package, which includes front-collision mitigation, lane-departure warning, speed-limit display, automatic parking, and blind-spot detection but is most notable for the included surround-view camera system with a 3D view. BMW uses four cameras to stitch together an image that looks as if your personal cinematographer is filming the car from 10 feet away, and you can pinch the air and wiggle your wrist to rotate around the car for different angles. The jury is still out on whether this is more useful than the bird’s-eye or traditional vantages (these are also selectable views in the 7-series), but this bit of tech feels less like a gimmick and more like something truly innovative. Notably, we skipped the Driver Assistance Plus II package that adds adaptive cruise control and active lane-keeping for $1700. We don’t expect to miss either feature much. Our drivers typically prefer traditional cruise control, and, based on experience, we know that the BMW’s steering assistant is merely a lane-keeping aid rather than a stand-in for two human hands.Sundries include $2600 for 20-inch wheels and $900 for a larger panoramic glass roof with LED accent lighting. We also spent $250 for what we’ve taken to calling a “key foblet.” It features a tiny touchscreen that allows you to precondition the cabin and to check the status of the door locks or the windows. It was probably money we shouldn’t have spent. There’s a phone app that accomplishes the same thing, and the key is merely one more electronic gizmo to keep charged. Finally, we dropped $150 for a space-saver spare, which adds some additional security against being stranded, over and above the standard run-flat tires, but comes with the penalty of raising the trunk floor by about six inches.Driving the Thing We weren’t expecting sports-car moves, so we were surprised when the 320-hp six-cylinder made such light work of the burden it carries. At the track, the 4385-pound 740i reached 60 mph in only 4.8 seconds, and a panic stop from 70 mph required just 159 feet of roadway. The skidpad figure of 0.86 g qualifies as respectable, although not exactly impressive.

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　　Several logbook commenters have noted how soft the ride is, particularly in the car’s Comfort Plus mode. One staffer even compared the 740i to a Kia K900, a recent and unloved long-termer in our fleet. Bizarrely, that plush suspension tune doesn’t mean the ride is entirely comfortable. Our 7-series seems to be affected by a paradoxical chassis tuning in which the suspension doesn’t provide enough body control, but the wheel impacts are too harsh. Over sharp lateral features such as expansion joints, the 740i pounds and smacks the pavement. The run-flat tires likely don’t help, but we’ve never had this problem with a Mercedes-Benz S-class on run-flat rubber.Despite the persistent drumbeat of complaints about the stiff tires, the 740i is still a wonderful way to cover big mileage. Assistant buyer’s guide editor Annie White logged almost 2000 miles driving from Ann Arbor to Indiana, Virginia, North Carolina, Washington, D.C., and back to Michigan. “By far the most comfortable car I have ever road-tripped in,” she wrote. “I had no back pain at all—which is not normal for me—thanks to the truly excellent seats with seemingly endless adjustability.” The small-displacement engine also is delivering on its end of the bargain: In addition to the impressive track-test performance, we’re averaging 26 mpg through the first two months.

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MILAN — The kooky utterances fashion designers sometimes spout (and some fashion journalists often parrot) seldom offer much indicator of what’s actually going on in the collections.Both in his elaborate show notes and backstage before a beautiful final stand-alone show of men’s wear for Gucci on Monday, the label’s creative director Alessandro Michele alluded to the metaphysics of journey: real travel, time travel, armchair travel, metaphoric and philosophical voyages, everything but budget trips to Vegas on a Greyhound bus.It doesn’t really matter that the blather bore minimal relation to what he showed on the runway. In just a few seasons, Mr. Michele has revived the flagging fortunes of this venerable luxury goods label, one whose revenue for the year is predicted to top four billion euros (or $4.5 billion).To a large extent, he has done so by capitalizing creatively on how people consume culture in the internet era, rummaging for imagery and information, either ignorant or agnostic about the sources of signs and symbols, references and ideas.Photo

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Moncler Gamme Bleu, spring 2017. CreditValerio Mezzanotti for The New York TimesThus when Mr. Michele offers a men’s wear collection (and it was emphatically a men’s wear collection, notwithstanding the inclusion of a smattering of female models) before an audience that included his Hollywood BFF Jared Leto (they attended the Oscars together this year), Ryan McGinley and the blond ephebe boy-star Olly Alexander in a plush bordello space lighted the color of absinthe, two of the three dressed in glorious half-drag, you know you are in for a trip.And Mr. Michele delivered with souvenir jackets scrolled with dragons; flower patterned suits and contrast piped rowing blazers; Mary Janes with jeweled buckles; slickers and rain caps straight off a box of Fisherman’s Friend lozenges; over-embroidered jeans jackets; Fair Isle sweaters with Donald Duck woven into the pattern; satin kimono lounge jackets; tunics ornamented with military braid; drawstring painter’s pants and evening clothes stitched with what looked like trapunto flora.In doing so he demonstrated not only his estimable design chops but his kinship with millions of consumers who themselves are Instagram or Pinterest magpies, grabbing at bright scraps and shiny fragments for recombinant use.Continue reading the main story

Men's Fashion Spring 2017

News, reviews and features from the editors of Fashion & Style and T Magazine.

A Face in the Crowd at Moncler Gamme Bleu: Big SeanJUN 20

Prada: Spring 2017JUN 19

Men’s Fashion Shows: Versace and MarniJUN 19

Missoni: Spring 2017JUN 19

The Talk of the Versace Men’s Show: Music by PrinceJUN 19

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Travel, as others have pointed out, has been a leitmotif throughout the Milan men’s wear season. And while this is probably not the place for cranky opprobrium, it feels necessary to call out the obliviousness of designers who presented collections rife with references to campsites, tarpaulins, tents and displacement when millions of Syrian and Afghan refugees crowd Europe’s borders or wash up dead on its shores.Photo

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Prada, spring 2017. CreditValerio Mezzanotti for The New York TimesNaturally there is a temptation is to sit back and enjoy the spectacle when Thom Browne stages one of his usual displays for Moncler Gamme Bleu (a subsidiary line of the puffer giant Moncler, founded in 1952 and reinvented five decades later by Remo Ruffini as a fashion concern) in a glamping show rife with references to scouting and Smokey Bear.What is the harm? Mr. Browne is a skilled entertainer, albeit one occasionally in need of a dramaturge. As with past collections, the tableaux vivant devised here ended without plot resolution.In a bunkerlike show space on the edge of town, Mr. Browne laid sod, installed mature fir trees, piped in the sounds of crickets and birds. He erected 40 translucent pup tents in four parallel rows and then had his models march out in hooded floor-length coats that were half sleeping bag, half cagoule jacket.One by one the guys installed themselves before their bivouacs. Soon two mascot bears appeared, stopping by turns to help the models wriggle out of their bag-coats, revealing beneath them suits with short pants that formed the collection’s core.Photo

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Missoni, spring 2017. CreditValerio Mezzanotti for The New York TimesSome were in blanket plaid. Some were channel quilted. Some were in techno fabrics. Some had sequins and several were constructed using astrakhan, the fleece of newborn or fetal lambs. (Memo to PETA: Don’t blame the messenger.)Most were worn with knee socks and either safari or field jackets, all adorned with so many bellows-pockets you’d need a compass to find your keys. Once revealed, the models paraded around the space, dragging their cloaks behind them before returning to their tents and, unfurling the bags, bedding down inside.That was it. The show ended. The audience filed out. And as they did, some wondered what may become of those tents. “Exaggerated utility,” was his theme, Mr. Browne said later. Given recent events in Europe, the phrase struck an unwittingly callous tone.Miuccia Prada, too, seemed to take up travel as a thematic for a show that cast models as vagabonds, dressing them for the road in skinny cycling pants or chunky sweaters or nylon blousons, burdening their scrawny frames with bulging rucksacks (Prada’s first commercial success, in 1984, was a nylon backpack) from which brogues were hung hobo-style.Photo

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Giorgio Armani, spring 2017. CreditValerio Mezzanotti for The New York TimesThat many of the clothes had been printed with random motifs like watermelons, sombreros or the Buddha suggested Ms. Prada has more in common with a designer like Mr. Michele than you may imagine. Is there anyone left whose creative process is not influenced by the mysterious algorithms of Google Image? Probably not.The imaginative set for Prada — by AMO, a research arm of the Dutch architecture studio OMA — recast the interior of Prada’s space as a series of raked ramps constructed from structural metal mesh. Entering under eerie green light, and with Frédéric Sanchez’ distorted remix of Bjork’s “Army of Me” as an aural backdrop, the models climbed ever uphill toward some unseen vanishing point.As at Moncler Gamme Bleu, exaggerated utility was Prada’s tacit through-line. And as at Moncler Gamme Bleu, the show provoked questions that even a designer of Ms. Prada’s sure intelligence seems unprepared to answer.The sunniness of Angela Missoni’s relationship to travel is not easy to square with her personal experience of its perils. It was just three years ago last January that a chartered plane carrying her brother Vittorio, 58, his wife and four others (including a pilot and co-pilot) vanished as it left the Caribbean archipelago of Los Roques. The loss was devastating for

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　　Carlton Bragg Jr., remembers the day he made his own fashion statement on the basketball court, discarding long, saggy shorts for the kind basketball players wore before Michael Jordan dropped the seam in the 1980s.

　　“It was my sophomore year, AAU season. I was in the bathroom and everybody took their shorts (from team personnel). There was a small pair of shorts. I had to put them on. I scored 44 or 45 (points), something like that. I kept ’em after that,” related Bragg, KU’s 6-foot-10, 235-pound sophomore power forward from Cleveland.

　　Bragg never was comfortable wearing shorts three or four inches below the knee.

　　“It’s more comfortable. I sweat so much it’s so heavy under my legs,” Bragg said. “This feels comfortable to me.”

　　He thinks he can talk teammates Devonté Graham and Mitch Lightfoot to help him start a new trend of shorter shorts.

　　“I’m trying to get it back. I’ll give it one more month. It’s coming back,” Bragg said with a smile after taking part in drills for hundreds of Bill Self basketball campers Tuesday in Horejsi Center. “They (teammates) say it’s not their style. I’m going to get a couple people with me for sure.”

　　Bragg said the key to looking sharp with shorter shorts is to wear compression tights, as well.

　　“You’ve got to, got to. You don’t want to look a little suspect,” Bragg said, smiling.

　　The player who averaged 3.8 points and 2.5 boards a game his freshman season is already looking a bit bulkier than a year ago.

　　"I’m getting stronger, going with Hudy (Andrea, strength coach) every day, every morning just getting my body ready. I’ve put on six, seven pounds of muscle so far,” Bragg said. “I’m building more. I’ll probably put on another 10 hopefully. It’s about eating right, getting challenged each and every day.”

　　He said he was pushed around on the block his freshman campaign.

　　“Coming from high school to college … it’s a big difference,” Bragg said. “Playing fast. The veterans had a lot of experience over us. They knew what to do. We were just out there learning. It was hard but fun at the same time.”

　　Bragg’s also been working on his skill set this June.

　　“Getting back in shape, working on my jumper, pull-ups,” he said. “Ballhandling and the mindset to attack, attack. It (his game) is going to be a big surprise for everybody this year, trust me.”

　　Bragg said he’s been amazed at the play of freshman big Udoka Azubuike, who stands 7-foot, 270.

　　“He’s a big fella. I think he’s 7-feet, 7-1,” Bragg said. “Wait until he starts getting angles and knowing the experience like we do. He’s going to be tough, tough. When he gets the ball he really can score. It doesn’t matter. He’s going to dunk it. I didn’t know he could run the floor like that. He can run for a big fella.”

　　Of frosh forward Lightfoot, a 6-8, 210-pounder, Bragg said: “I’ve taken Mitch under my wing, leading him by example. I love his game. His personality is great. He reminds me of myself.”

　　And for freshman guard Josh Jackson, Bragg said: “He’s my roommate. He likes to joke around. He’s feeling more comfortable with us.”

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　　Bragg was in an especially good mood on Tuesday, a day after his hometown Cleveland Cavaliers stunned Golden State in the Bay Area to cut the deficit to three games to two in the NBA Finals with Game 6 on Thursday in Cleveland.

　　“I’m loving it,” Bragg said. “Good win yesterday. I think we’re going to come out and win. I knew they had that mindset, the killer instinct and LeBron (James) with his leadership carried the team. They’ve just got to buckle down on defense, stop (Stephen) Curry and Klay (Thompson), stop them from having those 30- and 40-point games.”

　　Bragg, by the way, might be convinced for an encore of his piano playing at this fall’s Late Night in the Phog. He recently shocked some campers by performing for them.

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　　“They were very amazed,” Bragg said. “One kid came up to me and said, ‘I saw you at Late Night.’ I said I’d play for him again. I played a little ‘Ego,’ little Rihanna, ‘Work.’ I’m trying to take a class this summer, get my skills back, get it back up to par for this year.”

　　This, that: Former Mississippi State guard Malik Newman is on a campus visit to North Carolina State, Zagsblog.com reports. ESPN.com’s Jeff Goodman says he’ll visit Miami this weekend. He’s also considering KU, Western Kentucky and others. ... Draftexpress.com says former KU forward Cheick Diallo will be taken 19th in the June 23 NBA Draft by Denver. Wayne Selden Jr., is listed as No. 19 pick of Round Two by Detroit.

Eva Longoria has spoken with warmth about the dress best friend Victoria Beckham designed for her wedding, saying it was "made with love".

The Desperate Housewives star, 41, married Jose 'Pepe' Antonio Baston, the president of Televisa, in Mexico on May 21.

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Beckham created Longoria's silk crepe gown for the ceremony, as well as another dress for the post-dinner celebrations and a third for a civil ceremony the day before.

The former Spice Girl, 42, was also a witness at the civil ceremony.

During an exclusive interview with Hello! magazine, Longoria explained how she came to have "a Victoria Beckham weekend".

She said: "I asked Victoria to do my dress because I wanted it to be special and made with love - and I knew that Victoria would make it with love.

"Victoria was one of my witnesses too. She signed the paper that says I was here - so it was a Victoria Beckham weekend."

The actress-turned-producer added: "She was the best, sweetest person to have there on this day.

"Not only did she do my wedding dress but she's one of my best friends so for her to be there was so special."

The two women became close when the Beckhams lived in Los Angeles while David was playing for Major League Soccer team LA Galaxy.

The weekend of celebrations started with the couple's civil ceremony at the home of the owner of Mexican multimedia company Televisa.

The following day, another ceremony took place in the home of the bride and groom.

"We wanted to get married in our house and do something very intimate," Longoria told Hello!

"We have both been married before and we know the wedding is not the marriage so we wanted to pick a place so it wouldn't be about the event, but about celebrating our love.

"Now we are looking forward to the marriage part. We're just so excited to be Mr and Mrs Baston."

Alongside Victoria and David Beckham, guests included Melanie Griffith and Ricky Martin.

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Desperate Housewives star Vanessa Williams sang Save The Best For Last, a top three UK hit in 1992.

This is the third marriage for Longoria, who was previously wed to US actor Tyler Christopher from 2002 to 2004 and basketball star Tony Parker from 2007 to 2011.

Baston's three children from a previous marriage were given important roles on the day.

Longoria said: "Pepe's two daughters and son were the only ones in the wedding party.

"His daughters walked down the aisle with me and the kids all held the rings."

She added: "They were part of the ceremony, of course, because I'm not just marrying Pepe, I'm marrying his whole family.

"For me it was so important that their happiness was at the centre of this celebration and it was. They were so excited and happy."

:: Read the full interview in Hello!, out now.

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Over the weekend an exhibition opened at the Museum at the Fashion Institute of Technology in New York. Entitled “Uniformity,” it displays 71 pieces from the museum’s collection of (surprise) uniforms, divided into four categories — military, work, school, sports — as well as a select group of the fashion looks they influenced, like Geoffrey Beene’s 1967 sequined football jersey gown and Rei Kawakubo’s 1998 military vest and pleated skirt for Comme des Garçons.“I was interested in the inherent dichotomy between uniforms and fashion,” said Emma McClendon, assistant curator of costume, and the organizer of the exhibition, “because while they should be antithetical to one another — the first is about conformity, the second about creativity — they are also deeply interrelated. It’s ironic.”But not as ironic as the fact that the show opens just as a number of recent disputes have underscored a somewhat different, and disruptive, reality. We live in a moment in which the notion of a uniform is increasingly out of fashion, at least when it comes to the implicit codes of professional and public life. Indeed, the museum may be the only place they now make sense.If once upon a time Melanie Griffith’s character in “Working Girl” could manipulate viewers’ assumptions about her job and background simply by swapping leather jackets and minidresses for greige suits, today it would be impossible. “We are in a very murky period,” Ms. McClendon said.Just before the museum’s show opened, for example, Britain was momentarily distracted from discussions over Brexit (leaving the European Union) by the news that Nicola Thorp, a temp worker, had been sent home from her receptionist job at PricewaterhouseCoopers for refusing to wear heels, as dictated by the dress code of her agency, Portico.She took her cause public, starting a petition for a parliamentary hearing titled “Make it illegal for a company to require women to wear high heels at work.” If you get more than 100,000 signatures, Parliament will consider the petition, and as of Tuesday afternoon she had 140,712.Photo

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Elisabeth Moss as Peggy Olson, an advertising-secretary-turned-copywriter in the 1960s, in the television show, “Mad Men.” CreditJordin Althaus/AMC, via Associated PressAlmost immediately, ITV, the British television network, conducted a pollon whether employers should be allowed to require women to wear heels;social media freaked out; and Portico announced it had changed its policy: Flats were now acceptable for women (men, of course, could always wear them).Continue reading the main storyEditors’ Picks

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A few days later, sweatergate broke out in the United States when a weather forecaster on KTLA-TV in Los Angeles was handed a gray sweater to cover up a tank dress she was wearing on the air. She said it was a joke, courtesy of her co-anchor, but Twitter took offense, perceiving it as an attempt to control what women wear.All of this follows famous dress code brouhahas like the UBS scandal of 2010 when the Internet discovered that the Swiss bank had issued a 44-page booklet of guidelines for employee dress that included instructions on shoulder width and underwear shade.Then there was the “flat shoe” uproar of 2015, when two women were supposedly barred from the red carpet in Cannes for not wearing heels. (The festival director denied the report on Twitter.)And earlier this year, Kansas State Senator Mitch Holmes was forced to issue a public apology for having included, in his guidelines for the Senate Ethics and Elections Committee, which he chaired, a rule for those appearing before the state panel that read: “Conferees should be dressed in professional attire. For ladies, low-cut necklines and miniskirts are inappropriate.” No such specific guidelines were issued for men. Oops. This did not sit well with many.“I have decided to retract the conferee guidelines,” he said later in a statement, which also noted, “My failure to clearly specify that all conferees, regardless of gender, should strive to present themselves professionally is unacceptable.”Photo

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Mary Tyler Moore is shown as TV news producer Mary Richards in a scene from the “The Mary Tyler Moore Show” in the 1970’s. CreditAssociated PressThe slippery slope may have started as a gentle incline way back in the 1970s, and become a bit steeper during the Casual Friday movement of the 1990s and the success of the Facebook I.P.O. in 2012 with its hoodie-wearing billionaires. But today, we are speeding down it at breakneck pace, partly thanks to the hot-button conversation around gender equality, and fluidity.“There has been a dramatic change very recently,” said Susan Scafidi, a law professor at Fordham University and founder of the Fashion Law Institute.She noted that last December the New York City Commission on Human Rights announced new guidelines for the municipal human rights law that expressly prohibited “enforcing dress codes, uniforms, and grooming standards that impose different requirements based on sex or gender.”As a result, no employer may require men to wear ties unless they also require women to wear ties, or ask that heels be worn unless both sexes have to wear them. And though this applies only to “official” dress codes, the trickle-down effect is inevitable.“Dress is now open to the interpretation of the individual, rather than an institution,” Professor Scafidi said.This has created an even greater tension in the more ambiguous areas of office dress, especially as the boundaries between home and work become ever blurrier.Photo

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Calista Flockhart and Gil Bellows in the Fox television series, “Ally McBeal”.CreditLarry Watson/Fox, via Associated Press“There’s a strain of thought that says an employee represents a company, and thus dress is not about personal expression, but company expression,” Professor Scafidi said. “But there’s a counterargument that believes because we identify so much with our careers, we should be able to be ourselves at work.”And that has led to all sorts of complications. One person’s “appropriate” can easily be another’s “disgraceful,” and words like “professional,” when used to describe dress requirements, can seem so vague as to be almost meaningless. Kanye West wearing ripped jeans and a jeweled Balmain jacket at the Met Gala: cool or rude? Julia Roberts at the premiere of “Money Monster” at Cannes this year in bare feet: red carpet pioneer or a step too far?At The New York Times, Michael Golden, the vice chairman, told me: “We have customer-facing jobs and those that are principally internal. We ask employees to dress appropriately for the interactions planned for their day.” But that can have broad interpretations. In the newsroom, people show up in everything from double-breasted suits to shorts; from sneakers and Birkenstocks to platform heels.All of which leaves us where? Confused, mostly. And fast trying to create our own codes, or parse those of the offices around us. Mark Zuckerberg, for example, is on the record as saying he wears the same gray T-shirt every day so that he can focus his energy on other decisions.Ms. McClendon acknowledges that she tends to wear “all black, pretty much every day, and sculptural shapes — it’s the museum uniform.” Professor Scafidi said, “My business uniform is a black jacket with a fitted, knee-length sheath, classic 100-millimeter single-sole pumps, and usually our logo pin — my equivalent of armor, arms and insignia, respectively.”Indeed, according to Ms. McClendon, uniforms evolved for a reason: “They fulfill a need to identify your place in the world,” for the wearer and the observer. At least when they are easy to read. And part of the idea behind the F.I.T. show, she said, was to “put visitors in the mind-set to consider uniform dressing more broadly, and how it impacts their own lives.”In other words, to live an examined life when it comes to your wardrobe and your workplace. Because these issues are only going to get more complicated.“We are moving into an era where personal expression is going to trump the desire to create a corporate identity,” Professor Scafidi said. “It’s a huge power shift.” And it has already begun.

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Don’t ask men to explain why it takes them so long to put on their shoes.There are many things men are all too happy to explain, at length, condescendingly and pedantically — the electoral college, the differences between the Game of Thrones books and television program, membership qualifications for various athletic halls of fame, exactly how difficult a given drum solo is, etc. — but why it takes them so long to put on their shoes is not one of them.This is because men don’t believe they take a long time to put their shoes on.Related: The Mysteries of Male Competition, ExplainedI know this, in part, from experience. I am familiar with my girlfriend’s belief that I take a long time putting on my shoes. But do I actually take a long time to put on my shoes? Until recently, I would have said no; it’s just that my girlfriend is short, and therefore closer to the ground, which means gravity has a stronger pull on her, which warps her perception of time. I would never have imagined that “my boyfriend takes a long time to put his shoes on” was a common refrain.But it’s not just me, and it’s not just my relationship. Based on the reactions I got when I mentioned this article, waiting for men to deal with their shoes is one of very few universal experiences shared by straight women. The amount of time men take to put their shoes on is one of the great untapped bad stand-up riffs of our time.And men don’t buy it. “Do you take a long time to put your shoes on?” I asked my friend Abe recently. “No?” he replied, confused. “[My girlfriend] Caroline definitely has told me I’m slow at it,” my friend Dan admitted, in the kind of vague, skeptical way you might back out of a conversation with a 9/11 truther. “I can time it,” Abe offered. “Like ... one to two minutes.” Another friend, Jeb, told me his girlfriend had once accused him of being not just slow but bad at putting on his shoes, a charge he flatly denied: “I’m dope at it, just like I’m dope at everything.” There is no arena in life to which masculine confidence does not extend.Does Abe take a long time to put his shoes on? “Yes,” his girlfriend Xochitl replied, unequivocally. What did Caroline have to say? “Dan takes forever.” As though I needed further confirmation, I asked a female friend who’s been in relationships with both men and women. “Are you kidding?” she replied. I was worried I’d offended her, but she just couldn’t believe I was asking a stupidly obvious question. “It’s like night and day. [My current girlfriend] takes a long time putting on her shoes, too, but [my ex-boyfriend] was the worst.” (Based on conversations with gay men, the in-couple dynamic of slow shoe-putter-on-er and fast persists across all couples, even when it doesn’t fall along gender lines.)Related: This Is the Worst Compliment You Can Give a ManOf all the many compromises women are forced to make, a few extra seconds waiting during shoe preparation is not, on its face, the worst. But consider this: If your dude takes an average of 30 extra seconds to put his shoes on, and the two of you leave your home together five times a week, you’re spending more than two hours every year waiting for your so-called “life partner.” The average American woman gets married at 27 and has a life expectancy of 81 years. That’s 117 hours — nearly five days — of her life spent waiting for her husband to pick out and tie his fucking shoes.So understanding why men take so long to put on their shoes requires asking women who date and marry men, some of whom have devoted significant (and irritated) portions of their lives studying their partners’ shoe-dressing habits.One common theory: laces. “More of [Abe’s] shoes are lace-up,” Xochitl theorized, and they have “more laces in general.” It’s true: Unless you’re dating Daniel Lara or a gladiator, your dude’s shoes will almost certainly have shoelaces, while yours most likely don’t. (One of the few women I spoke with who was unfamiliar with the stereotype realized that it might be because she mostly wears sneakers, and therefore might take a similarly long time to tie them on.) Laces are a highly complicated interface that require us to draw upon years of accumulated knowledge and skill; further, they demand a degree of dexterity not traditionally attributed to men.Indeed, consider the entire physical process of the man donning shoes. Men are less flexible and their centers of gravity are, on average, higher, but a shoe that requires laces requires its wearer to sit or kneel. As Xochitl puts it, “Abe also can’t stretch very well, so there is more foot heft.” Consider, too, that larger feet means larger heels, which in turn means more complex rotational angle-of-entry calculations — undertaken, again, by a less flexible, and generally heavier, body.And even setting aside our physical limitations, men are vain and insecure; we’ve been socialized since an early age to seek attention and approval. “[Dan’s] picking out his shoes, and asking for my opinion,” Caroline told me, “and then switching back.” “They make a performance of it; like, a lot of pausing between one shoe and the next,” another friend suggested. “They’re seeking acknowledgment of a difficult job well done. They’ve hunted those shoelaces, and brought back the dead carcass of the bunny-loop tie.”I tried to think about this as I put my shoes on: Am I seeking acknowledgment for this minor task? Is it time to switch to Velcro? But trying to think while working only made me take longer. It seemed clear that the problem wasn’t the shoes, or my girlfriend, but me. Men just aren’t built for shoes.More from The Cut:backless prom dresses uk

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n bewildering, horrifying but true news, we recently learnt that Donald Trump will be the Republican candidate in the US Presidential elections this November. While his third wife Melania has been accompanying her husband to key caucus events and will undoubtedly be a gloriously shoulder-robed presence on the campaign trail, it’s said that “the Donald’s” first wife Ivana - who describes herself as “the ultimate symbol of strength, glamour and worldliness” - is providing calculated behind-the-scenes support for her ex-husband’s White House bid.

It’s not just in political spheres that Ivana has been wielding influence of late. At a recent trend presentation, Net-a-Porter’s Vice President of Global Buying, Sarah Rutson, cited the first Mrs Trump as a key fashion inspiration for this year.

Saint Laurent AW16

Singling out Hedi Slimane’s farewell Saint Laurent show, Rutson pointed to Trump in her 80s excess heyday as the template for a new uber-glamorous mood in fashion. From Slimane’s super-short cocktail dresses with elaborate bows to Isabel Marant's one-shouldered ruched tops and fishnet tights and Balmain’s hard-edged, power shoulder jackets, the va-va-voom which Ivana - who told a New York Times journalist "You don't have to put down the second name…Ivana is what the people call me" - once brought to the upper echelons of American society is well and truly back on the radar.

Balmain AW16

After meeting when one-time champion skier Ivana was working as a model - what else? - in New York, Donald and his Czechoslovakia-born first bride were married in 1977. A mutual quest for world-domination ensued and the couple became the poster man and woman for the boom-fueled opulence of the 1980s.

With her bouffant of blonde hair, Ivana probably consumed 99% of the world’s supply of Elnett hair spray- a feat she continues to achieve to this day. The beehive sported by Joanna Lumley's Patsy character inAbsolutely Fabulous is said to have been inspired by her.

Ivana and Donald Trump in 1989 CREDIT: REX

Her wardrobe, meanwhile, made Dynasty’s Alexis Carrington look like a nun. Think elaborate taffeta creations with the look of a life-sized Quality Street wrapper, unashamedly oversized fur coats and the most bling-tastic cocktail dresses imaginable.

“When she had first come to New York, she wore elaborate helmet hairdos and bouffant satin dresses, very Hollywood; her image of rich American women probably came from the movies she had seen as a child," was how Vanity Fair described Ivana's style in an analysis of the Trumps' eventual divorce in 1990. "Ivana had now spent years passing through the fine rooms of New York, but she had never seemed to learn the real way of the truly rich, the art of understatement.”

Ivana Trump with Count Roffredo Gaetani in 1997

But it is this very failure to achieve a minimalist, whisperingly-rather than screamingly- expensive style which makes Ivana our new fashion muse. After years of desiring only Celine cream tunics, The Row's perfect black trousers and anonymous crisp mannish shirts, the fashion world has been crying out for Drama! Excess! Fun! Ivana, if you'll pardon the pun, comes up trumps.

"It may not be the decade we remember with the utmost fondness, but the hard edged glamour of the eighties certainly made an impact this season" confirms Lisa Aiken, Net-a-Porter's retail fashion director. Luckily she has advice for how to wear it now. "To keep the look modern, be selective and don’t try to replicate the era top to toe. At Net-a-Porter, we’ve bought into wide belts to bring that 80s cinched-waist silhouette to mini dresses and blazers. Balmain, Maison Margiela and of course Saint Laurent showed strong ones for AW16. In terms of accessories look for sharp stilettos, oversized statement earrings and chain handle bags, but wear them one at a time."

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More opulent Ivana glitz from Hedi Slimane's final Saint Laurent collection

Since the divorce from Trump (in which she managed to receive a $20 million settlement despite his impending bankruptcy), Ivana has married twice again. Both were short-lived marriages. So renowned had she become for encapsulating 80s glamour, that she spent most of the 90s capitalizing on it with her own fashion line- Ivana Haute Couture- which offered copies of her own designer wardrobe and jewellery. It seems she had even come around to her ex-husband’s thrifty way of thinking, declaring: "For me, the real jewels are not that important now. I wear my costume jewels from my collection."

Ivana also famously made a cameo appearance in the 1996 film The First Wives Club in which she advised: “Don’t get mad, get everything”. It’s a phrase which could take on new meaning in today’s era of Donald Trump domination. Rumours swirled about the power struggles in the Trump marriage and Ivana has made allegations about her ex-husband's violence towards her. So perhaps all the gilted jewellery, piles of brassy blonde hair and opulent wardrobe weren’t just an expression of an 80s anything-goes culture, but the sartorial solution to dealing with “the Donald.” So pile on the tackiest, sorry, blingiest costume jewellery you can find, pull on a sequinned cocktail dress with sleeves the size of Donald's ego and face the prospect of a Trump presidency in defiant Ivana-style.

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Candice Romo, the wife of Cowboys quarterback Tony Romo, recently joined the Ben & Skin Show to promote her charity fashion show.

On June 2, Romo and other members of the Dallas Cowboys Women's Association will be walking the runway to support the Nexus Recovery Center in Dallas and The Gatehouse at Grapevine. Click here for more information or call 972-497-4955.

Here are some highlights of their interview:

Question: One of the things we really want to know, Candice, is what is life like with Tony, especially in a year like this where he was kind of cooped up?

Candice Romo: I'm ready for him to get back to work [laughs]. He gets restless. When you're used to going, going, going and you're an athlete, it gets pretty tough when you have to recover and lay around a lot to heal your body. He's ready to go. I think all wives can relate. You're ready for them to get out of the house and get back to work. This last offseason has been pretty nice because the season felt more like an offseason, really, because of his recovery process. Now it's like he's back to the grind. It feels pretty good to get back into that routine again. Just living the dream with Mr. Romo over here [laughs].

Question: Talking fashion: It seems like every time I see him on TV he's wearing the same black hat. There's nothing on it. What's the story on that hat?

Candice Romo: You know I've learned with Tony I can bring him the trough, he just has to choose to drink it. I can only do so much. I can buy whatever clothes that look good on him, but he is his own fashion stylist. I just go with it. There's only so many things I can do. Now with kids, I think a lot of other wives can relate, things start looking less important on the docket. His fashion taste is one of them. I feel like he's gotten better over the years. I feel like every year we get a little bit closer. Right?

Question: That's fascinating to me because I've been with my wife for almost 20 years and she just makes fun of the way I dress when she met me. I'm like, 'Well why did you even pay attention to me back then?' I mean, it's a little different with a Tony Romo, but what did you think of his fashion?

Candice Romo: Tony will say the same thing when he's going out somewhere. I'm like, 'I think you should re-think that.' He's like,' Well it worked on you.' I'm like,' Well, I'm just trying to help you here. Honey why would I want you to look silly out there? I want to help you. I'm trying to help you.'

Question: What is Tony like around the house? Is it hard to get him to take the trash out? Does he have any cooking skills?

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Candice Romo: Let's just say I think he uses his back as an excuse quite too often. I mean there's only so many times when he's like, 'Oh I can't. My back and my collarbone. I can't.' So once like that week is up after surgery and things, I'm like, 'Okay. You're back to taking out the trash. You're back to your normal routine.' So yeah, he does a lot around the house. We take turns doing stuff. He's pretty good. I think all wives could always urge a little bit more on our husbands, but he does pretty good.

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Whoa! Gwen Stefani wow’d us all with her jaw-dropping sheer floral gown! The singer looked absolutely stunning in this floor length, see-through dress and high pony for her performance on ‘The Voice’ — keep reading to find out more!

Gwen Stefani, 46, stole the show on May 9 for her exclusive performance on The Voice! Her steamy duet with boo Blake Shelton, 39, wasn’t the only thing heating up the stage — we couldn’t take our eyes off her eye-catching black sheer look with a floral touch. Looks like sheer is the new trend amongst the stars, as we recently saw with Khloe Kardashian! Teehee, we love the daring style!

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Gwen has always proven to be one step ahead of any trend that comes out, so this glam get up is no surprise! Her daring fashion sense and keen eye keeps her looking edgy and chic, and this look definitely embodies both! We are obsessed with this sheer, mermaid style gown that featured floral jewels throughout by Australian designer Jaime Lee

She posted a photo on Instagram showing off her stunning figure and classic makeup look, and she tagged her new flame! We love it!

Gwen posted several shots off her glam’d up look, so definitely head over and check it out! She even posted a selfie with her love — it’s so adorbs!

The masterminds behind Gwen’s beautiful cheap prom dresses are none other than Rob and Mariel, celebrity stylist that specialize in decking out stars in the most eye-catching gowns! Rob even posted a photo debuting Gwen’s look too!

Gwen sported a sleek, high ponytail, voluminous lashes and of course, a shiny hot pink lip! The singer also added her own touch to her outfit and wore fishnet stockings underneath — talk about Spring style with a kick! We are OBSESSED with the final touches!

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What do YOU think of Gwen’s sheer, floral long prom dresses, HollywoodLifers? Let us know!

Kanayo Ebi, a celebrity stylist and image consultant with a bold sporty-chic style, recently launched the ‘Kach Me If You Can‘ showroom in the thriving arts community of Long Island City. Through the use of public relations, branding, and styling, Ebi hopes to bridge the gap between new and emerging designers with industry vets interested in groundbreaking fashion designs.

Ebi, well known for her fashion credits for celebs like Angela Simmons, has been tapped to style some other notable names in entertainment by publications and celebrities, including Kate Winslet,Adrienne Bailon, Bridget Kelly, Leona Lewis, Mack Wilds, Rocsi Diaz and Tika Sumpter, as well as Jet,Hype Hair, and the Saturday Telegraph magazine, plus campaigns for Coca-Cola, the BET Awards, Bikinihair extensions and the clothing line Foofi.

But beyond her passion for styling everything from looks on the red carpet to TV commercials and print ads, Ebi has expanded her talents to the design world. “Doing what I love to do every day, and being able to grow and be successful at it, is one of my greatest accomplishments,” said Ebi. “I recently partnered up with Thandos shoes and designed my own foldable flats called ‘kachmeifyoucan.’ It did so well that I was asked to create a second edition called ‘kachmeifyoucan-midnight.’ I’m also working on my own fashion line as we speak.”

With plans to help designers flourish on the international scene, the Kach Me If You Can showroom, features a collection of one-of-a-kind designers from different parts of the globe, exhibiting an array of fashion conscious trends from classic ready-to-wear attire to avant-garde pieces including footwear, jewelry, and accessories. “I get a thrill from discovering and developing new brands and watching it blossom from something good into something great,” said Ebi. During a recent trip to London, I met two incredibly talented UK based designers —- Innocente Messy, a London College of Fashion graduate, and Raaah (by Rahima Mohamed, an emerging cutting edge vintage-enthused designer) —- and I was absolutely blown away by their designs, detail and story. When I got back (to New York), I set up the showroom and immediately signed them.

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While experience is a critical ingredient for Kanayo’s success, social media has also helped her turn vision into reality. “Instagram and my blog are my top tools to connect with an audience,” said Ebi. With Instagram, it allows you to share many different aspects of your life and work through pictures, in addition to connecting and keeping up with other like-minded professionals. It’s a great platform for me to discover and connect with new and emerging designers worldwide, including stylists and publications/sites. My blog is a window to share things that I love and find in my travels, work, and life. It’s like my little lifestyle diary for my readers to get to know me.”

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Well, this is weird. Jodi Arias is reportedly getting married in prison, despite serving a life sentence behind bars for horrifically murdering her former boyfriend.

Jodi Arias, 35, has allegedly been corresponding with “many men” from her prison cell, claims a new report. Now, the infamous murderer might be preparing to walk down the aisle — or the prison hallway — to her future husband.

Has Jodi Arias managed to find love from inside her prison cell? A shocking new report claims that despite being isolated to her small cement room, Jodi has been “corresponding” with a suitor that she has allegedly told one of her friends she plans to marry. Whoa.

“Jodi is planning a prison wedding. She wants to have all of her friends and family there,” a friend of Jodi tells InTouch magazine inside their May 16 issue. “It will be a fairy-tale wedding to a man she loves.”

From the outside looking in, this is an incredibly bizarre situation unfolding for Jodi based solely on her romantic history. As many of you might remember, Jodi iscurrently serving a life sentence in Arizona’s Perryville prison for brutally murdering her boyfriend, Travis Alexander, inside his apartment in 2008. Five years later in May 2013, Jodi was convicted of first-degree murder at the end of a highly publicized trial.

But, Jodi is looking to move on and “embrace love again,” her friend shared with the outlet. Jodi is ready for “the happy ending she’s always wanted.”

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Believe it or not, the report claims there has been a “steady stream” of “love letters” from men looking to court Jodi into a romantic relationship. “She receives marriage proposals on a weekly basis,” the friend shared, revealing that some of the men are married and “offering to leave their wives for her.”

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The friend claims that Jodi won’t share who her groom could be, but that she has a very detailed idea of what she wants for her prison wedding. “She wants to wear a figure-hugging dress and hold a bouquet,” the friend shared. “A flashy diamond ring and wedding band have also been things Jodi has talked about. She also wants to have photos as a reminder of the day.”

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Unfortunately for Jodi, a big “flashy” wedding is definitely not in her cards so long as she remains in prison. The guidelines of the Arizona Department of Corrections will not allow her to wear a gown or exchange rings if she does, actually, get married.

Tell us, HollywoodLifers — Do YOU think Jodi should be allowed to get married? Comment below with your thoughts.

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The Bank of Japan (BoJ) stunned the world last week by holding off on expanding monetary stimulus. With the yen rising and inflation continuing to fall, it was believed that the BoJ has little choice but to pursue even looser monetary policy. Some are grumbling that they were pressured to hold off on additional stimulus to help encourage continuing weakness in the U.S. dollar.

The reactions across global asset classes were immediate and impactful. Gold, silver, and miningstocks popped higher as the U.S. dollar weakened. The yen surged while the Nikkei set the standard for the term “stop run” by falling more than 1000 points in just a few minutes.


A man looks at an electronic stock indicator of a securities firm in Tokyo, Thursday, April 28, 2016. Japanese stocks tumbled and the yen surged Thursday after the central bank dashed investors’ hopes for more stimulus, leading declines in most other world benchmarks after the Fed left interest rates unchanged. Japan’s benchmark Nikkei 225 index erased earlier gains, falling 3.6 percent to 16,666.05. (AP Photo/Shizuo Kambayashi)

More importantly, gold and bonds have decoupled for the first time in over a year, with the stock market now moving down along with bonds. At first glance, bonds selling off doesn’t make sense, especially with weak economies and negative interest rates around the world. Welcome to the world of hedge funds. This is what happens when big trades around the globe are all tied into the same idea – in this case continuing loose monetary policy. The unwinding of those trades can take months, and cause a seismic shift in asset prices and correlated relationships.

Although soaring earnings helped push stocks higher over the past several years, it’s been loose global monetary policy that has kept this bull market alive well beyond the normal five-year stretch. If the mechanism for keeping the market propped up is coming to an end, then the trade needs to be closed.

Money is flowing into energy, mining, and utility stocks. It has to come from somewhere. That somewhere is technology.

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My favorite conservative short here is the PowerShares QQQ ETF (QQQ). This is a non-leveraged exchange traded fund that represents the Nasdaq 100 index. While other indexes are holding their recent uptrends, technology as a sector has been the first to crack – even with Facebook FB +0.89%, Inc. (FB) making new all time highs. I’m looking for this index to retest – and breakthrough – its February lows. For options traders, buying slightly in the money August put options is another way to play this move. With this strategy, an investor doesn’t have to tie up as much cash and has a fixed amount of risk based on the price paid for the option.

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randon Maxwell’s been all over the place lately.

The designer was back in town Tuesday evening for a dinner to celebrate his spring collection at The Apartment by the Line Los Angeles. That was on the heels of a March visit to Saks Fifth Avenue Beverly Hills and Bergdorf Goodman in New York in February, the same month he showed his fall collection.

“It’s absolutely no surprise to me that he launched a line that’s been so well-received,” said Rosie Huntington-Whiteley, who cohosted the gathering. “He’s definitely one to look for and everyone’s already looking at him already. I am a big fan.”

The designer stepped aside to chat with WWD as guests began arriving and mingling just before sitting down to dinner with his thoughts on everything from the design process to feeling like a fashion outsider — and being OK with that.

We’re here to celebrate spring, so let’s go back and talk about where you drew inspiration for that collection.

Brandon Maxwell: I really start the collections always with music and it’s really based on how I’m feeling at the time. Then I drape alone in a room and cut and sew everything on a form for weeks. But if there was any sort of specific inspiration for spring, since it was my first collection, you see a lot of sort of tri-layered effects. A lot of that was based off of my using my dad’s cummerbunds growing up to make shapes and waists. It’s a lot of references from my childhood.

WWD: Is there a particular genre of music you tend to always go to?

B.M.: Oh, it’s so different. I listen to everything but opera to be honest. I go from Fifties, Sixties, Seventies, rap, country. Everything. If you listen to the music in my shows, it’s very all over the place. The first one was everything from Sade to Diana Ross to Billy Joel to Eve. It’s really just about how I’m feeling.

I did a trenchcoat in the spring. It had quite a large collar and I was feeling really low that day and I was like ‘What do I want to wear if I was just dashing to the store really quickly and wanted to just not be seen that much because I feel like in New York, every time you walk through the street you’re seeing a neighbor or you’re seeing somebody you know.

WWD: Was fall a very similar process?

B.M.: Yeah and I started the show out with [the songs] “Under Pressure” and “Money” mixed together because, to be very honest, that’s how I felt. I was aware that after the first season, we had created a business and I was so thankful for that and a lot of people had gone out on a limb for me. I felt the pressure both financially for the company and also for the people who had supported me and helped us throughout this season and before. I’ve never found myself to be somebody who fit in very much in fashion or kind of really anywhere and I’ve never pretended to be anything other than what I am. I really take on that mentality when I’m doing the music for the show and instead of doing just some sort of playlist that’s not really me, I’d rather just say from the very first beat of the show, ‘Listen, I feel super under pressure’ and when I was making this I enjoyed the process but there was a stall at the beginning as any creative person goes through and I feel like for better for worse, I just say it and then I release it. It is what it is.

WWD: Do you still feel those pressures?

B.M.: I think there’s so many fantastic things that have happened and I feel very, very grateful for that. I try not to think about any of those things because number one they can go away. It’s a business of ups and downs and the most important thing for me having grown up in a store and, really, this being my passion my whole life having worked with women, whether it’s in styling or designing, I’m OK to kind of lose anything. I just really don’t want to lose the opportunity to be able to create with women and to have the chance to make them feel beautiful. I want to just make quality work that makes women feel good. I want to make my family and friends proud and I really want to have a business that grows over time and a customer we grow with.

WWD: On the point about growing the business, everyone’s talking about the digitization of the fashion industry, whether that’s in the context of e-commerce or apps or on the runway. Does it make it easier for one to grow a young company because you have this technology that puts you closer to the customer?

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B.M.: Super honest answer, I think it’s never easy to start your own company. I don’t think any sort of element can really help you. It’s very, very difficult to start your own company. It’s daunting. It’s also thrilling at the same time. I’m not a super digital person. I don’t have a branded Instagram. If you look at my Instagram it’s the clothes and the stores, but it’s also my dog stuck under the bed. I try to do the same thing in my collection and the brand that I’ve done in my life, which is just grow it by personal connections. When you connect and grow together, I feel like that’s more honest than anything else I could sell somebody on the internet.

WWD: As you do more of these store appearances that connect you directly with fans, what are you picking up on in terms of regional market differentiations?

B.M.: The thing that I noticed — which I learned as a stylist — is that women are insecure about different things and they love different things about their bodies and that just helps me going into every season.

WWD: You said earlier you felt like a fashion outsider, although the press and notoriety continues to build around you. Do you still view yourself as being on the outside?

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B.M.: I think I never really felt like I fit in anywhere growing up so I created my own thing that made me feel good. I’m still doing that now just in a more adult way. Now I’m 31 and not 13, you know? I’m not the most fashionable and I wouldn’t say my life is the most fashionable. Everything that’s happened has been really fantastic but I truly can’t believe it. I know that as quickly as things can come, they can go just as quickly. So I try to keep my head down and work.

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SALISBURY, Md. — A man known for saying unpleasant things about rivals in his rise to the top of the Republican presidential field came to the “The Land of Pleasant Living” on Wednesday — an apt stop for a campaign pivoting toward a milder tone.

But in a trademark stream-of-consciousness speech at Stephen Decatur High School near Berlin, Trump said he has no plans to soften his style.

“We’re not going to be so politically correct,” said Trump, addressing a raucous crowd of about 1,000 people. Thousands more were turned away.

If polling ahead of Tuesday's primary is to be believed, Trump needs only to maintain his commanding lead in Maryland. A Monmouth University poll last week showed the billionaire businessman garnering 47% of support among likely voters, with Ohio Gov. John Kasich receiving 27% and Texas Sen. Ted Cruz picking up 19%.

The Maryland primary carries additional weight this year. Typically, presidential primary contests have been all but sewn up by the time the Free State gets a chance to vote. But this year’s outcome could help Trump cement his front-runner status and head off a contested convention this July in Cleveland — or not.

So, there was Trump stumping in deeply red Worcester County, where Mitt Romney beat Barack Obama 58% to 40% in 2012.

Although the event wasn’t announced until late Monday, the line of people waiting to get in stretched about a half-mile down Seahawk Road at its zenith.

The choice of a high school gym stood in stark contrast to the arenas the Trump campaign has preferred so far. The fire marshal estimated that the room could hold about 1,000, and another 3,000 could fit in overflow areas elsewhere indoors.

“There’s thousands of people outside,” Trump told the audience inside. “It’s packed. We’ll make the gym bigger next time.”

The parking lot of a long-closed Harley Davidson dealership turned into a de facto festival grounds. An orange pickup truck blared country music as vendors with carts loaded with Trump-themed merchandise weaved through the crowd.

Betsy LaBar, a poultry grower from Laurel, Del., said she was drawn to the candidate because of his unvarnished speaking style and his tough stance on immigration.

“I like everything he says and he’s not controlled,” LaBar said as she waited in line to get inside. But she added that she is OK with him throttling back on the tone of his rhetoric, saying, “I think he’s toning that down more. I think he’s hired new people.”

Andrew Nock, a senior at Stephen Decatur, expressed his support for Trump’s call to deport thousands of undocumented workers on his pickup truck. “Send them all back,” he had written in window paint along the side panel.

“That way they can’t take all our jobs,” Nock said.

Trump’s gave a 45-minute stump speech — building a wall along the Mexican border to keep out “illegal aliens,” strengthening the military, reversing the trade deficit, “winning” at every turn. It was, in typical fashion, long on promises and short on details.

He sprinkled it here and there with a few Maryland-tailored comments.

“Maryland’s great, but I’d rather be right across the Potomac,” he said.

And there was the characteristic slip.

“Do we love Tom Brady?” he asked despite being in the buckle of the Baltimore Ravens belt.

“Easy, easy,” he implored over a cascade of boos.

Newly hired, veteran political advisers have spoken of a shift in the campaign in recent days, vowing a less-abrasive Trump. But the candidate seemed to push back against such advice, calling members of the conservative Club for Growth “losers” and renewing criticism of “gangs coming in from Latin America, South America.”

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Trump may have had to tone down his rhetoric whether he liked it or not Wednesday. The rules for behavior inside the gym, according to signs posted above the bleachers, inveigh against “profane language.”

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　　From 23 euros (about $26) for shared rooms with bunk beds and storage lockers. Rooms with two single beds and a private terrace start at 108 euros ($123).BasicsParis is awash with new or reskinned luxury hotel projects, but the Generator Paris is an effort to upgrade lodging for those with plenty of style but far less to spend. The “hotel” is actually a hostel, offering both shared and private rooms in the gentrifying 10th Arrondissement. Open since February 2015, this hotel is part of the Britain-based Generator chain, which has properties in other European capitals like Berlin, London and, this summer, Rome.Most Read Stories

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　　Body parts found near site where Renton nurse Ingrid Lyne’s remains dumped

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　　Seahawks bring back cornerback Brandon BrownerSubscribe now. Four weeks for just $1.LocationIn a formerly rundown office building, the Generator Paris is across the Place du Colonel Fabien from the avant-garde, Brazilian-designed headquarters of the French Communist Party. It is about a 20-minute walk from the Eurostar terminal at Gare du Nord, and within walking distance of the boutiques, cafes and bicycle paths along the Canal St. Martin. The nearest Métro is Colonel Fabien on Line 2, for easy access to the Champs-Élysées.The RoomI booked a twin with terrace, on the top (eighth) floor. The room felt spacious, with white bathrobes folded atop two twin beds on sturdy white metal frames, white duvets and plenty of pillows. Behind the beds, wallpaper printed with rows of books gave the room a more intimate library-like feel, with contemporary side chairs, a small round table and a stool made to resemble a log. The star of the room, however, was the terrace, which featured rooftop views of the quarter, a metal cafe table and four chairs, two striped beach loungers and a striped hammock on a wooden frame. In lieu of a closet, clothing is hung on what look like repurposed plumbing pipes. Wi-Fi reception was good. Overnight, the room was silent, a surprise given the hostel’s popularity with students.The BathroomGleaming white subway-style tiles on walls, sleek black tile on the floor and modern white fixtures including a full-size bathtub lent a modern feel. A hair dryer in a black bag hung from a stylized black hook. Generator-branded shampoo and travel-size bars of sea kelp soap were included in the price for this room, although in lower-priced rooms, there is an additional fee for towels.AmenitiesThe rooftop bar features a distant view of Sacré-Coeur, and there is a basement Métro bar kitted-up to resemble a Parisian underground station with a rounded ceiling and an artsy photo wall showing a train pulling into the quai. The daily happy hour cocktail (in my case, a gin-based John Collins) was 6 euros, and other “signature cocktails” using fresh herbs like basil or rosemary were 7 to 9 euros. Another lounge area features table soccer.DiningThere was no phone in my room, and therefore no room service. Outside food and drink, and outside visitors, were prohibited. The buffet breakfast, served in an airy ground-floor atrium with a view of the gardens of surrounding apartment towers, went beyond the basic continental of croissant, juice and coffee by adding cereals, cheese, ham and fresh fruit salad. The breakfast is 4.50 euros if booked online.Bottom LineIts lobby bustling with international guests, Generator Paris offers an affordable mid-tier option for those seeking privacy off the beaten path, and bargain prices for students inseparable from their entourage.

Horror filmmakers are always looking for unexplored territory in the genre, and what’s more terrifying than the fashion world? Only God Forgives writer/director Nicholas Winding Refn seems to have figured that out with The Neon Demon, his new movie which casts young Elle Fanning as an aspiring fashion model who’s about to get eaten alive by the industry. Maybe literally?

The trailer, which just dropped today, seems to depict an awesomely stylized film, with the actors’s rarefied beauty as the key blunt instrument. Over a pulsing dance track, we see blood, sex and smize for days, with stars like Fanning, Abbey Lee Kershaw, Jena Malone, Keanu Reeves and an actual cougar looking hella gorgeous and hella zooted beneath strobe lights and camera flashes. “I am dangerous,” says someone we can presume to be Fanning, as the clip ends on a shot of her covered in blood, like a high-fashion Carrie. (Christina Hendricks is in this film too, though I don’t catch her in the trailer.)

From a press release, here is our poet laureate Keanu Reeves describing what he thinks a “neon demon” actually is:

“There’s something about the light—you can call it artificial light, but I guess all light is artificial besides the sun—and the neon quality of it. [There’s] something about those colors that attracts and repulses at the same time. And then there’s the demon part. What is the demon within; what is the demon on the outside? Is it ego? It may be a fear of death. Or desire. It’s all sorts of fun stuff.”

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Death... or desire. The Neon Demon, an Amazon Studios title, will debut at Cannes and open wide this June.

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Kate Moss and Naomi Campbell join forces for Fashion Targets Breast Cancer campaign

Kate Moss and Naomi Campbell have been unveiled as the faces of Fashion Targets Breast Cancer 2016 - two decades after fronting the original launch.

The two stars - regarded as the two original supermodels - have once again teamed with famed designer Ralph Lauren on his campaign to fight the disease.

Now, 20 years on Kate and Naomi have returned to front the 20th anniversary, and can be seen in two candid black and white snaps taken by Mario Testino as part of this year's drive.

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Over the years, the iconic campaign has raised over £14 million for breast cancer research, will help coming from stars like Elle Macpherson, Kylie Minogue and Claudia Schiffer.

This year, a host of high street brands are supporting the cause, with the collection including items from partners Marks and Spencer, and the likes of River Island, Topshop, Debenhams and more.

In an open letter addressing the campaign, founder Ralph Lauren - who started the organisation after losing a friend to the illness - issued a call to arms and said the fight isn't over.

He wrote: "Women are still being diagnosed with this disease in ever increasing numbers. And this year in the UK, nearly 12,000 will lose their lives to breast cancer. It’s clear that the fight is not finished.

"I’m enormously proud of the progress we’ve made – progress that, without the support of people like you, just wouldn’t have been possible.

"But I’m also more determined than ever to push further and reach the day when no one - not the women nor their families and friends - have to face this disease.

"Please join me, as you have for the last two decades, to do all that we can until the fight is over."

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Nothing riles a reader quite so effectively as the fashion editor who announces: “This season you can’t survive without a diamante breastplate/striped leg-warmers/hob-nailed boots.” So I’ll phrase it this way: This spring you are going to want an elegant frock.

I don’t mean one of those I - lost - my - innocence - in - a munitions - factory numbers in the harshest of bright colours. Their spots, stripes and garish prints will be jostling one another on the rails, padded shoulders to the fore. Starved of sunshine, warmth and colour after the drearily prolonged winter, you may be tempted to succumb to their superficial allure. My advice is to resist if you can, and to invest some time in tracking down something a little more subtle, a little ladylike, a little less throwaway.

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The shape is certainly lean and belted with emphasis on the shoulders and neckline, but that doesn’t necessarily mean oversized shoulder pads. Not only do shoulder pads even half a centimetre too long produce an unbalanced look, they can also produce a deformed look if the sleeves are not cut generously. Check what they look like from the back, too.

Shiny, silky synthetic fabrics have been used in many of the dresses for this summer and, pretty as they are, they are not really sensible for hot weather, or if you are rushing around earning your crust: Fine for cool summer evenings, however.

Silk crepes and cotton voiles are more comfortable and lend themselves to gatherings, draping and runching in a way that gives emphasis to the top half. They also, when well cut, skim the hips and fall easily to the (shorter) hem, creating an illusion of narrowness while in fact containing enough material not to impede your stride.

The natural fibres seem to take this summer’s vivid colours more successfully, too, softening their potential harshness and making them easier to wear with pallid early-spring face.

A return to elegance always brings a return to sophisticated black, a colour which flatters most British complexions and can look quite stunning on black ones. It’s a colour which always needs dressing up, though, with a scarlet scarf or a shiny gold junk jewellery necklace. Biba, now in Conduit Street, London W1, has some splendid silk scarves/sashes in plain, strong colours at about £10.

For top and toes you need a smooth, sleek head, tidy and very grown-up and slim high-heeled sandals or court shoes. We’re all going to have to learn how to teeter again.

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Why Wedding Dresses Are Typically White

There are no hard and fast rules when it comes to choosing your wedding dress, but making it white is usually a given, no?

But why is that? So that the bride looks 'pure' and 'virginal'? Well, whilst this has long been the assumption of most, that actually has nothing to do with how the tradition of the white wedding dress started. Ooh.

Back in the day, a bride's wedding dress was simply the best thing in her wardrobe, and could be any colour - black included.

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Over time, red became popular as the colour du jour for a wedding dress (who would have thought?!), as it was considered to be the most romantic colour a woman could wear.

In fact, white was not even on the radar as an appopriate wedding hue, and was much more likely to be associated with funerals - Mary Queen of Scots was slammed in a big way when she bucked the trend and wore white on her wedding day back in 1558.

Even worse, when her husband then died a few years later, she was accused cursing him with her ‘funeral frock.’ Crikey.

White only became associated with the bridal gown thanks to Queen Victoria, who wore a pale gown trimmed in pretty orange blossoms on her wedding day to Prince Albert back in 1840. From then on, white became a symbol of the innocence of girlhood and a sign of a pure heart. Aw.

If you think about it, most wedding gowns aren't even white these days, with colours like ivory and ecru having taken over as the most desirable hues for a bridal frock.

But at least we have Queen Vic to thank for the fact that we aren't all gliding down the aisle in crimson, eh?

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Spice Fashion - Man About Menswear and Formal Hire

David and Julie Seymour took over the long-running business in August last year and have expanded their range to include sales as well as hire.

"I started off in Menswear when I was 14. We saw the business advertised and thought it was a great opportunity. We are one of the only stores in Mackay where you can hire as well as purchase. We are one of the largest retailers of suits in Mackay," Mr Seymour said.

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The company sells not only suits for weddings, business and formals but also casual clothing, race wear, and accessories.

"We have lots of beautiful fabrics, Egyptian cottons and poly-cotton mixes which are great weights for North Queensland climates. We also have a large range of dress shirts and business shirts," Mr Seymour said.

French Blues, Blues, Char-greys and Navy are extremely popular in suits and Mr Seymour has seen a return in popularity to tuxedos, classic black and white and a more modern approach with floral jackets.

Man About also stocks mini-versions of suits for toddlers and children.

"We can match size 0 to any men's suit in the store. So dad and junior can match. "We also stock a large range of dress trousers and chinos which are good for race days. There has been a large beach-wedding revolution, where men are wearing braces and vests rather than suit coats. We sell cufflinks, braces and ties too" he said.

"We have Florsheim shoes which are handcrafted in London, Platinum from Melbourne and Julius Marlow. Men are taking a lot of pride in themselves."

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From lightweight denims to flounced florals, these spring fashion must-haves will not disappoint.

Let's take a look at what is trending this spring: 1. Block heels You will feel like you are in "That '70s Show" when wearing these heels, but who doesn't want to look like young Mila Kunis? Block heels are versatile and stylish. They go great with your flare jeans and your flowy floral dress.

2. Stripes Feeling nautical? You do not have to be ship wrecked to rock stripes this spring. You will look trendy this spring whether you are wearing pinstripes or breton stripes. With so many different patterns of stripes, you will be able to find unique pieces of clothing that are easy to pair with your every day staples.

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3. Denim Denim to fashion is like cheese to macaroni. It has been turned up a notch this spring because denim is not only jeans, but it is skirts, dresses and button up shirts. Not to mention, denim on denim is the new black.

4. Baseball hats If you're having a bad hair day, throw on a baseball hat. Although baseball hats are on the more sporty side of fashion, you can easily make a baseball hat look more feminine if it is paired with a button-front mini skirt for example. This gives you a laid back tomboy look while still embracing your feminine side.

5. Asymmetrical skirts Not only are asymmetrical skirts flattering, but they are different. They had a nice kick to your outfit. It is perfect for day time and night time use. Dare to try something new? Get an asymmetrical skirt.

6. Floral You can be fun and flirty with a floral dress or romper. The great thing about floral is that it is the epitome of spring time.

7. Espadrilles Spanish inspired sandals are comfy and easy to incorporate into any outfit. You will look stylish without having to take off your heels.

8. Mini bags It is the perfect little accessory. You can experiment outside the box and try out a poppy color, or you can embrace neutral shades. Either way you will have a nice accessory to store your belongings while still looking good this spring.

Also Read: pink prom dresses

Rumer Willis flashes a hint of her cleavage in a yellow crochet dress as she attends season premiere of RuPaul's Drag Race

She was pictured returning a handful of glamorous dresses she'd borrowed for award season on Monday.

But Rumer Willis was reunited with her glad rags on Tuesday evening as she stepped out to the season premiere of RuPaul's Drag Race in Los Angeles, California.

The Dancing with the Stars winner looked uncharacteristically colourful as she traded in her typical all-black theme for a gorgeous yellow for the screening at the Mayan Theater.

Rumer, 27, was a vision of summer style as she slipped her shapely figure into a stunning yellow midi dress which was the perfect complement to her svelte form.

The ankle-skimming frock was rendered in delicate crochet with a nude layer beneath to ensure she didn't over expose herself.

The ladylike number featured a plunging neckline, meaning a glimpse of her pert cleavage was on show while the long length concealed her lean legs completely.

Rumer afforded herself some height with a pair of gold court heels while her various tattoos were the only accessories she needed.

She boasted an all-over even glow, which only served to intensify the colour of the flirty frock, and sported lengthy black talons which offered her ladylike look a tough edge.

Her creative director shared a sweet snapshot of the pair during the evening on his Instagram page, captioning it: 'Here we are - NOT throwing ANY #shade at the #LA premiere of #rupaulsdragrace. I have the best dates hands-down.'

The Broadway star was dressed down in comparison to the rest of the guest list with one drag queen playing her at the cleavage-flashing game.

Rumer was pictured cosying up to American drag performer Detox who rose to fame during the fifth series of Drag Race.

The stars clashed in a sartorial sense as Detox - who was born as Matthew Sanderson - worked red leather co-ords which flashed a whole lot of flesh.

His ensemble comprised a bust-enhancing crop top and a matching mini skirt while a one-button blazer afforded some coverage although a generous proportion of his torso was on show and his buxom chest could not be missed.

RuPaul's Drag Race is an American reality competition which documents drag queen RuPaul's search for the nation's next superstar. Season 8 premieres on March 7.

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Paris is prepping to embark on the fourth leg of the fall runway marathon, amid soft tourism and heightened security. But the shows do go on. Here are a few fresh faces to keep an eye on during the season.

Ingie Paris

Businesswoman Ingie Chalhoub launched her namesake Ingie Paris line in 2009, merging her Middle Eastern sensibility with a sense of Parisian chic. Using luxurious fabrics — silk and viscose velvet, wool crepe and loden, silk chiffon, embroidered lace and signature lamé jacquard — and high-quality production, the line is entirely crafted in France, with the exception of its knitwear and shoes, both made in Italy.

Following her Warhol-inspired pre-fall collection, Chalhoub’s fall offering is dedicated to Diana Vreeland — a photo of the famous editor clad in red in her living room is the basis for a graphic, rich red color juxtaposed with black.

The designer is keen to develop some exclusive prints and couture embroideries. This season, she creates watercolor Liberty-style flowers mixed with little hearts and stars printed on silk georgette, or on metallic satin for cocktail and eveningwear, as well as a disco-style jumpsuit.

The newly launched shoe line of stiletto pumps is made with luxe fabrics that match the clothes. With exclusive distribution at Le Bon Marché in Paris, and stores opening in Abu Dhabi and Riyadh this spring, the label is on the rise. Prices range between 2,490 and 4,390 euros, or $2,745 and $4,840, for the most embellished evening styles; coats are about 1,460 euros, or $1,610, and knit tops are 490 euros, or $540.

Y/PROJECT

Flemish designer Glenn Martens, a classmate of Antonin Tron’s at The Royal Academy of Fine Arts in Antwerp, took over Y/Project, a men’s wear label that specializes in leather, in September 2013. He’s turned it into his own medieval-tinged streetwear aesthetic, and gradually added women’s pieces to the men’s line each season. Now, he’s getting ready for a big push with a full runway show on the official Paris calendar. As commercially successful as the men’s lineup, the women’s collection follows the same aesthetic, with plays on texture and shape, but some feminine dramatic effects, such as extralong sleeves on translucent blouses and dresses ballooning at the cuffs; ultralong tailored pants gathered around the ankle with industrial drawstring details, or sculptural graphic necklines and high pleated collars on long dresses. He’ll also offer some of his men’s styles in glitzier versions, such as shearling jackets made of strips of sheepskin in an aluminum foil finish. Y/Project’s women’s line has been doubling its distribution every season, with prices ranging from 175 euros, or $195 at current exchange, for a T-shirt, to 3,500 euros, or $3,895, for a shearling coat.

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ATLEIN

Antonin Tron, a graduate of The Royal Academy of Fine Arts in Antwerp, who’s been working in Balenciaga’s studio with its three last designers, has been under the radar. “I’ve had this project for a while, but was waiting to find the right manufacturer to finally launch,” he declared. That producer is a factory specializing in jersey, located in northeastern France, where he found the expertise needed to develop his sculpted fluid silhouettes. The line is entirely made with jersey, with some dresses created from intricate patterns twisting and draping with contrasted topstitching constructions, a style the designer described as “structured flou,” citing British designer Jean Muir as a big influence on his work.

The mix-and-match wardrobe of the 38-piece fall collection, made of viscose or silk and cotton ribbed jersey, doesn’t follow any specific theme, but the 31-year-old Tron, a surfing devotee, cited the landscape of France’s Atlantic coast as an influence for his sensual pieces executed in a palette of dusty pink, pebble white and gray-blue, evoking the colors of sky and sea. Prices range from 400 euros, or $444 at current exchange, for a top, to 2,000 euros, or $2,220, for a dress.

Cyclas

Originally, Keiko Onose, owner and designer of The Secret Closet, created a private-label line seven years ago to be sold only in her own four stores, alongside the collections of Céline, Lanvin and Saint Laurent. Now entering the international wholesale market, the line has been renamed Cyclas, referring to an ancient piece of clothing worn during the Middle Ages. With a buyer-to-buyer approach, Onose aims to create a desirable contemporary wardrobe of luxury essentials with modern fit, interesting volumes and a keen attention to quality and details like hand-frayed edges and double-faced constructions.

She wants her collections to be easy-care and travel-friendly, calling them urban uniforms for real life. Though appearing minimalist, with hidden buttons and spare details, her designs are never as simple as they seem, expressing her Japanese sensibility via little twists

in construction for a modern style.

This fall marks the first season Cyclas will offer denim and shoes, such as mink slippers and sandals.

Particularly focused on comfort and texture, her cashmere knits have a mink fur touch achieved via a special brushed treatment making the sweaters ultrasoft and slightly fluffy.

All made in Japan, the Cyclas line ranges from 350 euros, or $385, for a top, to 2,000 euros, or $2,200, for a trenchcoat, to 4,800 euros, or $5,295, for a mink-trimmed cashmere coat.

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Kiernan Shipka, 16, looks like a princess in a ruffled grey dress at the Costume Designer's Guild Awards

She may be just 16-years-old, but Kiernan Shipka is already making waves in the fashion world as well as the acting world, judging from her fabulous latest look.

The Mad Men star looked every inch the style icon in the making as she put on a chic display at the 18th Costume Designer's Guild Awards sponsored by Lacoste in Los Angeles.

Rocking a fun and flirty grey ruffled dress, Kiernan looked incredible at the star-studded bash at the Beverly Hilton on Tuesday.

Kiernan cut an elegant figure as she glided out on stage to present costume designer Julie Vogel with the Excellence in Short Form Design Award.

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Her dramatic gown fitted her like a glove, with a flattering A-line skirt that fell down to her ankles.

She let her natural beauty shine through wearing minimal make-up, although she did ramp up her black smokey eye for dramatic effect.

She completed her look in a pair of open-toed high-heeled sandals with black and gold detailing, and a black pedicure.

Meanwhile, Kiernan has reflected on life after Mad Men in a recent interview after saying goodbye to her character Sally Draper.

After the show's finale last May she told Marie Claire magazine that she was sad to have reached the end of an era, which saw her star alongside her on-screen parents Jon Hamm and January Jones.

'It was bittersweet - a really good time, but very sad,' she said of her last day on set. 'Lots of tears.'

She was also crestfallen to leave behind the character she had played so well for eight years, explaining: 'Sally is very strong and independent. Very perceptive too.

'I don't think she'd want to be friends with me, but I'd love to be friends with her!'

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Looking hot in The City! Olivia Palermo takes London by storm as she shows off her style prowess in FOUR eye-catching outfits as she hits several star-studded shows at LFW

She became a style icon after showing off her style prowess on hit reality show, The City.

And Olivia Palermo was keen to prove she was still every bit the fashionista as she donned no less than four chic outfits for the penultimate day of London Fashion Week.

Kicking off Monday at the 9AM Sophia Webster show, the 29-year-old didn't stop to rest as she proceeded to attend the Burberry, Christopher Kane and Peter Pilotto show all in the same day, slipping into a brand new outfit each time.

With every look even more stunning than the last, Olivia truly outdid herself as she made the rounds at the star-studded shows, even altering her hair and make-up as appropriate to complement each ensemble.

Preparing to dash around the capital to squeeze in the presentations, the star began her day bright and early at the Sophia Webster show which was held at The House of St Barnabas.

Paying tribute the fashion company's love of bold colours and patterns, Olivia didn't hold back with her outfit choice, donning her brightest ensemble of the day.

Sheathing her lithe frame in a taupe woolen cardigan, strips of grey faux fur lined the sleeves and shoulders, adding another dimension to the garment.

Layered over a navy blouse, the wool provided a separate texture and was a visual treat as it covered the satin material of the elegant top.

Opting for bold colours, she donned a flared midi skirt in a colourful collage that exposed her patent boots.

Cherry red and featuring a slight heel, the chunky shoes allowed the star to perfect a supermodel strut as she made her way into the building.

Keeping her accessories simple, the American bore a stack of gold bracelets on her slender wrist, as well as a chunky watch.

Styling her honey coloured locks in a centre parting, she wore her tresses loose and tousled, framing her heart-shaped face.

Accentuating her soft features with a sweep of blush, the socialite finished off her on-trend beauty look with a slick of rosy gloss on her plump pout.

But whilst she may have been the picture of calm as she sat front row at the show, her relaxed persona no doubt didn't last long as she raced across the city for a quick change before hitting the next show on her list.

By 1PM the star had managed to squeeze into a new outfit and head off to Kensington Gardens where she watched the Burberry show in delight.

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Choosing to wear more bold patterns, the star dazzled in a floaty boho-style gown that fell at flattering mid-calf length.

Featuring a range of paisley prints, the navy dress turned heads with its simple yet eye-catching design.

Nipping in at her tiny waist with a skinny black belt, the loose-fitting garment hugged her in all the right places.

With a daring low neckline exposing her décolletage, the dress hinted at her modest assets whilst still remaining appropriate for day-time wear.

Clearly fond of the boots she had worn to the Sophia Webster show, the star decided to don the same shoes as earlier, with the scarlet colour perfectly tying together all of the elements of her ensemble.

The blonde beauty also deigned to keep her hair and make-up the same, merely slicking her golden tresses behind her shoulders.

By 3PM the star had made it to another venue, striding into the Tate Modern to watch the Christopher Kane presentation.

Protecting herself from the bitter chill in the air, Olivia sensibly wrapped up in an eye-catching faux fur coat.

Featuring thick pleats and layers of shaggy fur strips, the socialite dazzled as she made her way into the runway show.

Keeping her colour scheme simple and opting for all-black, she sheathed her lithe frame in a billowing peasant style blouse, whilst a strip of fabric enveloped her slender neck.

Nipping in her tiny waist with a thick laced-up belt, she wore a pleated skirt that fell at flattering mid-length to expose her trusty pair of scarlet boots.

Finishing off her day in style, Olivia hot-footed it to the Queen Elizabeth II Centre, where she arrived in her fourth outfit of the day to catch the 5PM Peter Pilotto show.

Making a nod to the designer's love of wool, the pretty star opted for a mix of knitwear to attend the presentation.

Teaming a striped green and navy jumper with a trumpet hem skirt, Olivia turned heads in her stylish ensemble.

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Rachel Roy Talks About Designing a Plus-Size Line, Writing First Book

Ready-to-wear designer Rachel Roy’s loyal following just keeps growing and growing. In addition to the likes of Michelle Obama, Iman, and Tyra Banks who have all been spotted in her namesake line, Roy’s newest and most avid fans of late are the plus-size women she's winning over with her new line RACHEL Rachel Roy Curvy. Pieces from Roy’s namesake line — think flared jeans, fitted blazers and graphic tanks — are now available in sizes 14-24 in Roy's brand extension, which, most notably, places an emphasis on fit for its fuller-figured customers. In addition to being sold at Macy's, the line will also available on Roy's website, RachelRoy, starting next month.

But that’s not the only exciting new launch that’s keeping Roy busy as of late; in March, the designer’s first tome, Design Your Life: Creating Success Through Personal Style ($26.99; Dey Street Books), hits shelves. During an intimate dinner in Los Angeles to celebrate the launch of Curvy, Roy dished on her current creative endeavors and why she’s in awe of plus-size model Ashley Graham.

Pret-a-Reporter: What was your motivation to write a book?

Rachel Roy: I started the book less than a year ago while I was gong through a lawsuit to win my name and company back [Roy sued her parent company, The Jones Group, for the rights to her brand, and won]. I thought, it’s a good time to do a coffee-table book. I talked to my literary agent, and she said, "I think you need to tell your story." In my mind, my story wasn’t done or near completion, so I thought, "how can we compromise?" The title was always going to be Design Your Life, but the compromise was sketches from different seasons while talking about tips and tools that, even if you’re not in fashion, you can hopefully come away with how you can live the life that you hope to be living.

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What did you learn about yourself during the process of writing it?

I learned that I am proud of myself, and sometimes when you’re living life and going through whatever it is that you need to go through daily, you show up, and you do it — as women, that’s how we are. Until you have something to reflect on, something that’s different and out of the norm, that’s the time you can appreciate and give yourself accolades that perhaps you never would. Though it is still hard for me to say 'bravo.' We are so blessed and so lucky. I am half Indian, so I am going to forever be mindful and blessed that I had an opportunity in America that perhaps some of my family members didn’t.

And why were you ready to launch a plus-size line now?

I would do personal appearances, and what I got asked for the most out of any brand extension — whether it be home, jewelry, swim — was plus size. And that has been consistent since 2006, when I started my own line. I do want to do home and swim, but I really want to give my customers what they asked for first. Anytime you start a brand extension, you have to have the business plan and partners in place. It took me a while to find partners with the same vision but when I did I was thankful. But the final missing key was a fit model who wasn’t just a model but who also spoke up and helped me and my staff in shaping [the line]. I want my models to be vocal and to participate, and I need to trust them, and I found that person.

You must be happy to see plus-size model Ashley Graham gracing the cover of the new Sports Illustrated Swimsuit edition.

I am so proud of her. Not just for her cover, but also her TED talk. I would be mortified and so nervous to do a TED talk. She is eloquent, she is bold. She inspired me. I would love to work with her.

Also Read: KissyProm vintage prom dresses

Don’t: Don anything extreme, such as cropped tops, tight gym shorts, ripped clothing, worn-out jeans, sweats, or tees with controversial or political messages.

Do: Take a step down from your usual work look—if you normally wear a suit and tie or dress and heels, think a stylish button-down with nice pants and a blouse. If that is your daily look, consider a polo shirt or nice top with tailored jeans.

Men: Try a button-down with contrasting cuffs and collar; wear with khakis or dark-wash denim and a pair of stylish shoes.

Women: A ponte-knit fabric pant looks polished yet allows for easy movement. For a more casual look, try leggings or straight leg, dark-wash jeans paired with a stylish tunic or another long top.

GOLF OUTING: Golf is a game that’s steeped in tradition and, not surprisingly, has strict rules about appropriate attire, whether you’re playing at a fancy private club or a public course.

Don’t: Try to get away with T-shirts and other collar-less tops, street shoes, jeans, sweat pants, or ultra-short skirts.

Do: Wear soft-spiked golf shoes and golf clothing—it has detailing like required collars, front pockets for balls and tees, and fabrics with sun protection. Overall, keep it simple with regard to color and patterns—this is not the time to stand out from the crowd.

Men: Collared polo or golf shirts paired with golf pants or golf shorts and hat. (Many courses require tucked-in shirts, so don’t forget a belt.)

Women: Collared golf dresses or collared shirts paired with golf skirts, pants, or Bermuda-length shorts, plus golf hat or visor. Culotte-style skirts with built-in nylon shorts are especially comfortable and not too revealing when swinging a club.

WORKING ON THE WEEKEND Again, think casual but office-appropriate. When in doubt, go a little more traditional—you’re still at your workplace and not working from your couch.

Don’t: Come to the office in too-casual attire such as workout wear, gym shorts, sweatpants, flip-flops, cropped tops, leggings with short tops, or exposed bra-straps.

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Do: Dress as though you might bump into your boss—you very well might. The trick is to look professional while not too stuffy.

Men: Button-downs, new-looking jeans or khakis, and rubber-soled shoes. Fabrics can be casual, such as a denim shirt, but cuts should be tailored. Creatives can think more out-of-the-box with colorful button downs or graphic T-shirts.

Women: Make changes to your regular attire—wear shorter heels or flats if you usually wear high heels, separates if you always wear suits, and pants (see off-site recommendations above) if you typically wear dresses. Add stretch-blend tops—they’re comfortable and move with you yet are more attractive than tees or sweatshirts. Leggings should be thick, opaque, and resemble pant fabrics and absolutely worn with tops that cover the derriere.

FLYING ON A BIZ TRIP: The trick here? To be comfy—but not look it.

Don’t: Travel in sweatpants, tracksuits, pajama-style outfits, or fuzzy slippers.

Do: Be comfortable without looking sloppy. And dress in layers to accommodate changes in temperature in the terminal and aircraft.

Men: Traveling solo: dark-wash jeans, T-shirt, sweater, or nice hoodie plus stylish sneakers. With the boss, clients, or colleagues: khakis, a button-down, classic blazer, and loafers.

Women: Tailored pants in a stretch fabric, dark denim, or leggings. Pair with sleeveless or short-sleeved long-knit tops and add a wrap-style jacket or a soft pashmina to double as a blanket. For footwear, check out the versatile KaraMac line designed in Mount Kisco; it offers different embellishments and heel covers to create several looks from each pair.

Also Read: beautiful prom dresses

If there really is a secret to living life well, chances are it was cooked up in Denmark. Not only does the country have a low crime rate, little corruption, and a 34-day vacation policy, but it has also been repeatedly named one of the happiest countries in the world by the United Nation’s World Happiness Report and consistently ranks as one of the best places to live. Yes, the Danes really have it all figured out—including how they dress, a fact that is in clear evidence during Copenhagen Fashion Week, now underway. To celebrate the debut of the new collections, we chatted with one of the chicest ladies in all the land, Cecilie Thorsmark, head of press and communication at the Danish Fashion Institute. Here, she tells us what she wears to work—and breaks down the look of Danish street style.

Starting Out in Fashion

I come from a family of ballet dancers, architects, fashion and furniture designers, so I guess my love for aesthetics isn’t so farfetched and is probably in the genes. Already as a kid trying on my grandmother’s beautiful shoe collection and being presented with her newest designs (usually really big colorful tunics), I knew I wanted to work in fashion. My path initially led me in a more academic direction, so I ended up in business school, but the corporate business world never appealed to me. I decided instead to start writing all my assignments and projects within the field of fashion—sort of shaping my own education; I wrote my master thesis about Copenhagen Fashion Week, actually. I interviewed a bunch of people and among these were the CEO of Copenhagen Fashion Week and Danish Fashion Institute Eva Kruse. She has now been my boss for the past five and a half years.

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At the Office

Being at work is like being with my second family. I love the place, the people, and everything that we work on. It never gets boring although we are glued to our laptops all day long, if not in meetings (visitors to the office actually often get surprised to discover that there are no racks or piles of clothing in our workplace!). I leave work between four and six to spend time with my family, but you’ll typically see me take out my laptop again at night, unless I find the time to go out for a glass of Aperol spritz with a friend or a dinner with my boyfriend—luckily he has a restaurant just around the corner, so there’s never an excuse not to take a break from the family and work routines.

But Can You Wear it on a Bike?

I bike to and from work (like basically any other Copenhagener), so my outfits are always quite convenient and quite relaxed. Jeans in all shapes (most from Acne Studios), and for the moment, mom jeans are a favorite. These are typically paired with a simple shirt. Shirts dominate my wardrobe: denim shirts, cotton shirts, striped shirts. I prefer loose, menswear-inspired shirts from brands like Wood Wood and Bruuns Bazaar, or often just plain men’s shirts—the Danish menswear brand Soulland is a favorite.

I’ll usually mix this with some feminine items like my vintage Hermès tailored jacket, gold jewelry by Sophie Bille Brahe and Trine Tuxen, or my Céline T-bar pumps, so it doesn’t become too slouchy. Usually though, I’m in black flats. I tend to choose between three at the moment—a pair of Acne Studios brogues, Saint Laurent patent creepers, and Proenza Schouler creepers (which are not entirely black though, but black-and-white crisscross). Flats are so convenient and such a good way to dress down an outfit in an elegant and cool way. I’m addicted!

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As for my go-to work bag, my boyfriend gave me a two-tone camel-navy Céline tote for Christmas a couple of years back. But it’s a timeless classic, so it’s still a favorite for work, although I think a shop assistant would probably throw a fit at me if they knew how I treated it. I throw it recklessly into my bicycle basket, so it has gotten some scratches, and I also tend to stubbornly stuff everything into it, including my laptop—which is definitely not good for the delicate lambskin straps.

Off-Duty Style Means Danish Designers

My style on the weekend doesn’t differ much from what I wear at the office. It’s always simple, often monochrome and menswear-inspired with a little touch of femininity. And it’s predominantly Danish (probably a natural effect of working at the Danish Fashion Institute). I think Danish fashion is becoming more and more simple, minimalistic, and streamlined—just like that furniture design that we’ve been famous for since the fifties, e.g., Arne Jacobsen and Poul Kjærholm. Many contemporary brands like Wood Wood and Soulland as well as women’s designers like Ganni or Baum und Pferdgarten are wearable and functional, and imminently cool and chic.

I think there’s probably a little more conformity in Danish fashion than on the New York fashion scene, which I find more multifaceted. Of course we have brands like Stine Goya, Saks Potts, and Henrik Vibskov who are more colorful and playful (and very successful) as well as avant-garde brands like Barbara í Gongini. You obviously also see these in the streets of Copenhagen, but I still find New York to be a lot more diverse.

Dressing for Copenhagen Fashion Week

For Fashion Week, I like to wear clothing from some of the talented and up-and-coming Danish designers like Mark Kenly Domino Tan and Freya Dalsjø. While being quite simple in their expression, what makes them stand out is their uncompromising approach to fashion in regards to sculptural tailoring, bold silhouettes, and color scales as well as excellent craftsmanship. You could say that they do wearable couture, so although they might not be my go-to office outfits, they are definitely some of my preferred fashion event designers.

Although I certainly do dress up for Fashion Week, I could never imagine wearing something that’s not coherent with my everyday style. I respect people who go crazy for Fashion Week, but I could never be one of them.

After-Hours

I seldom go the dress or skirt route, unless it’s a red-carpet event. I’m never girly and I only rarely do skirts or dresses. I think I have a fear of becoming too ladylike! My overall appearance (my walk, my gestures, my face, and so on) are quite feminine, so I think I’m—subconsciously and consciously—very focused on a contrary styling. I tend to automatically reject colors, pretty prints, florals and even lightweight materials like silk because “it’s too feminine.” And then I’ll see it on someone else and it looks great, and I’ll curse myself for not bending my style a bit more.

At the last cocktail party I attended, I went for an all-black look with a low-cut jumpsuit from the Danish brand Lovechild 1979, my black Céline T-bar pumps, and a black Proenza Schouler clutch. For outerwear I slung over an oversize, lightweight coat from Acne Studios. To break up the black look with something more eye-catching, I wore a chunky gold choker and a matching bracelet by the amazing jeweler Orit Elhanati who makes little pieces of art.

There’s not much of a difference in my wardrobe from day to night. People in Copenhagen are quite relaxed and don’t dress up unless it’s a really big event. The only thing I probably change is my bag. I leave my tote at work, and instead I bring along my Comme des Garçons clutch or my monogrammed Saint Laurent shoulder bag.

Dressing Mantra

My style philosophy is all about looking effortless (although it can secretly take a little effort!). And I adhere to the classic quote from Coco Chanel: “Before you leave the house, look in the mirror and take one thing off.” Very cliché, yes, but very useful.